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Satyajit Ray

"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."

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"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."

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Satyajit Ray
"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."
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Satyajit Ray
"The conception of background music is changing. You use less and less of it these days."
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Satyajit Ray
"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."
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Satyajit Ray
"I think they quite like me when I work because I'm one of the safer directors to back, because even if my films don't bring their costs in back home, once they're shown outside of India they manage to cover the costs."
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Satyajit Ray
"The only solutions that are ever worth anything are the solutions that people find themselves."
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Satyajit Ray
"I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary."
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Satyajit Ray
"I mix Indian instruments with Western instruments all the time."
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Satyajit Ray
"When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical."
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Satyajit Ray
"I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it."
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Satyajit Ray
"I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation."
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