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Matthew Sweet

"The summer of 2002 at the Wilson birthday party I met Van Dyke again and I made plans to have dinner with him."

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"The summer of 2002 at the Wilson birthday party I met Van Dyke again and I made plans to have dinner with him."

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Amber Hurdle

"I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days."

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Amber Hurdle

"I had been offered a Hollywood contract before my 18th birthday. It gave me the spark I needed."

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Amber Hurdle

"I love photography. My boyfriend's got a great camera, which I bought for his birthday."

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Amber Hurdle

"For my birthday I got a humidifier and a de-humidifier... I put them in the same room and let them fight it out."

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Amber Hurdle

"In 1993 my birthday present was a star on Hollywood's Walk of Fame."

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Amber Hurdle

"With my wife I don't get no respect. I made a toast on her birthday to 'the best woman a man ever had.' The waiter joined me."

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Amber Hurdle

"Well, I started conducting kind of by accident. I wanted to give myself a special birthday present for my fortieth birthday, and I was living in San Francisco at the time and I started attending some of the concerts and then simply dropping hints."

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Amber Hurdle

"Most of us can remember a time when a birthday - especially if it was one's own - brightened the world as if a second sun has risen."

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Amber Hurdle

"I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage."

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Amber Hurdle

"I'm most comfortable in my birthday suit."

Explore more quotes by Matthew Sweet

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Matthew Sweet
"Creativity is much better when it's free. Someone can take it and sell it if that's what it needs, and from that standpoint, you have to have a label. If you could make your music and just give it away and somehow make a living - that would be the best scenario."
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Matthew Sweet
"He helped make Living Things even more crazy than I wanted it to be. He added old-fashioned piano and classical folk music - that weird otherworldly vibe - all these elements got onto the record."
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Matthew Sweet
"He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not."
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Matthew Sweet
"When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge."
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Matthew Sweet
"They said, 'If we put you in first class with Brian, will you do it?' So I flew after not having flown in eight years. If there's one person who doesn't like flying as much as me, it's Brian."
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Matthew Sweet
"My family lives there, so I come back sometimes between shows for a couple days. I get back a couple times a year. When I was 30 to 34 I was weirded out when I came back - you know, how your past gets away from you. It's grown so much."
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Matthew Sweet
"You know that they're not just into it for the moment, they really care about it and value it over time."
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Matthew Sweet
"So it helped me to just let go of all my tensions and feelings about that world and say 'OK, this is for my fans in Japan. They'll be nice and get into it and have fun.' And it was the first record I made at my home studio."
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Matthew Sweet
"First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan."
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Matthew Sweet
"More labels should be like that. Instead of putting these records out myself, I should have just signed with them, but they probably don't like my music (laughs)."
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