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Paul Reiser

"It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else."

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"It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else."

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Amber Hurdle

"The reason I chose the movies that I did was based on where they were being filmed."

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Amber Hurdle

"The other two things are... well, I had a huge appetite for old black and white movies on BBC 2. At the weekends they used to run matinees, and the more romantic the better."

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Amber Hurdle

"The fact is, it's hard to release movies."

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Amber Hurdle

"You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them."

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Amber Hurdle

"They do think it is a big summer movie and that's why they want to give it a great chance, but they don't want to go up against Spider-Man 2 or some of the other big movies, the $100 million films that are coming up."

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Amber Hurdle

"I produced six movies with Amy Robinson since the very early '80s."

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Amber Hurdle

"I don't want to be famous famous. I'm happy on the second tier, where I have autonomy on a professional level but I can still go out to the movies without being recognized."

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Amber Hurdle

"I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films."

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Amber Hurdle

"Well, I think one of the main things that you have to think about when acting in the movies is to try not to make the acting show."

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Amber Hurdle

"I'd rather direct than produce. Any day. And twice on Sunday."

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Paul Reiser
"But the two of them together, broke my heart. Olympia and Peter, those scenes... When they're kissing in their 20s and then kissing in their 70s, that's what it is. And they had never met five minutes before they shot those scenes."
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Paul Reiser
"There's something that happens in that delivery room, when a woman becomes ten times more a woman, and a guy becomes six times less a man. You feel really dopey and useless and like a spectator. I did, anyway."
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Paul Reiser
"In the original draft I was 27 and Peter was 55 in the script. That's not the same as a guy in his 40s and a dad in the end of his 70s. It's a different point in both our lives."
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Paul Reiser
"And in that time, I lost my dad and had kids of my own. It was like, OK, I get it now. I know what fatherhood is all about. And you look at your parents differently."
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Paul Reiser
"In fact, I had the idea because of Peter Falk. I saw my dad watching a Peter Falk movie and something clicked in my head. I gotta go make a movie for Peter Falk and me."
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Paul Reiser
"Every time I see Peter Falk in the movie I think that would be great. We'd be fun together."
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Paul Reiser
"I remember my wife and I used to get on plane and see everybody else with their babies. They'd be putting strollers and car seats up above, and we'd think: Oh, please Lord, don't make us go through that."
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Paul Reiser
"But at the same time that the experience is pulling you apart, it's also bonding you. You have this joint venture! You both made this baby. And that's the thing I still can't get over."
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Paul Reiser
"And after you've done the acting, there's a lot of places you can put your input - in the editing, in the production of it, in the rewriting of it and so on."
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Paul Reiser
"This is not the most right I've ever been."
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