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"It's not like some movies where you're following a bunch of different stories you can cut around. There was nowhere to cut to. It's these guys. We're not cutting back to anybody else."
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"I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good."
"Well, Company of Wolves was about that literally, about fairy tales."
"We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama."
"I get offered a lot of the same type of thing... The teenage slasher movies."
"Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films."
"I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants."
"I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that."
Explore more quotes by Paul Reiser
"We had the boy's name picked out, but we didn't have a girl's. When he turned out to be a boy, we were so relieved. Literally, in the middle of contracting and pushing, and with my wife being drugged - out and half - lucid, we were still coming up with names."
"In the original draft I was 27 and Peter was 55 in the script. That's not the same as a guy in his 40s and a dad in the end of his 70s. It's a different point in both our lives."
"We have such a long, familiar history with Peter Falk. The minute his mug is on that screen people smile."
"In fact, I had the idea because of Peter Falk. I saw my dad watching a Peter Falk movie and something clicked in my head. I gotta go make a movie for Peter Falk and me."
"But I really felt that, something about the lights going down, and the sense of community. I saw this movie at one festival, and there were 1700 people."
"We made this movie for $17, and nobody got anything. So it never dawned on me that we would get real people."
"And after you've done the acting, there's a lot of places you can put your input - in the editing, in the production of it, in the rewriting of it and so on."
"And in that time, I lost my dad and had kids of my own. It was like, OK, I get it now. I know what fatherhood is all about. And you look at your parents differently."
"I'd distract myself until finally it was a combination of things. The show was over and I had time on my hands. I had taken time and played and just relaxed."
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