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Stephen Hopkins

"I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face."

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"I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face."

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Akiroq Brost

"In 1993 my birthday present was a star on Hollywood's Walk of Fame."

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Akiroq Brost

"The way I see it, you should live everyday like its your birthday."

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Akiroq Brost

"I had been offered a Hollywood contract before my 18th birthday. It gave me the spark I needed."

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Akiroq Brost

"Lucy took care of me on the set, and made sure that none of the crew cussed around me. She also had birthday parties for me and made sure that they were well attended."

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Akiroq Brost

"And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary."

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Akiroq Brost

"One I built when I was a kid, and it was a real miniature of Disneyland. I fell in love with the park when I went there with my parents on my 12th birthday."

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Akiroq Brost

"I suddenly realized how much I loved her when we attended Alfred Hitchcock's 75th birthday party last August. There was something magical about that night, and it made me see how much she really meant to me."

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Akiroq Brost

"For my birthday I got a humidifier and a de-humidifier... I put them in the same room and let them fight it out."

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Akiroq Brost

"We didn't have a whole lot of money when I was growing up either. I would always ask for magic books or magic tricks for my birthday or for Christmas and the rest of the year I either had to mow lawns or find part time jobs to help supplement the cost of doing magic."

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Akiroq Brost

"I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage."

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Stephen Hopkins
"Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on."
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Stephen Hopkins
"We use a lot of source music on some shows and none on others."
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Stephen Hopkins
"I wanted to make a film that was sophisticated and emotional, but for a wider audience."
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Stephen Hopkins
"I've always been a bit of a sound freak in the movies I've done."
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Stephen Hopkins
"Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling."
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Stephen Hopkins
"To be able to rely completely on the actors was a very simple process for me."
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Stephen Hopkins
"It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this."
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Stephen Hopkins
"I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise."
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Stephen Hopkins
"There were no previews; we made the film we wanted to make."
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Stephen Hopkins
"When I was thinking of casting this, I thought, What roles would Sellers be playing now?"
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