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Stephen Hopkins

"I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face."

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"I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face."

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Amber Hurdle

"I remember when the candle shop burned down. Everyone stood around singing 'Happy Birthday.'"

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Amber Hurdle

"In 1993 my birthday present was a star on Hollywood's Walk of Fame."

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Amber Hurdle

"I cried on my 18th birthday. I thought 17 was such a nice age. You're young enough to get away with things, but you're old enough, too."

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Amber Hurdle

"I suddenly realized how much I loved her when we attended Alfred Hitchcock's 75th birthday party last August. There was something magical about that night, and it made me see how much she really meant to me."

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Amber Hurdle

"My best kiss was on stage. Kelly Rowland from Destiny's Child gave me a really nice soft kiss on my lips during a performance on my birthday. It was amazing."

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Amber Hurdle

"We didn't have a whole lot of money when I was growing up either. I would always ask for magic books or magic tricks for my birthday or for Christmas and the rest of the year I either had to mow lawns or find part time jobs to help supplement the cost of doing magic."

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Amber Hurdle

"I'm trying to get the record that I made at my birthday party last year, trying to get that out, and the lawyers are diddling around with it and it probably won't be out until next year. I don't know."

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Amber Hurdle

"I love photography. My boyfriend's got a great camera, which I bought for his birthday."

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Amber Hurdle

"With my wife I don't get no respect. I made a toast on her birthday to 'the best woman a man ever had.' The waiter joined me."

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Amber Hurdle

"My biggest hero, Gregory Peck, was my birthday present on April 14, 1973. I just sat and stared at him."

Explore more quotes by Stephen Hopkins

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Stephen Hopkins
"Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling."
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Stephen Hopkins
"I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise."
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Stephen Hopkins
"We use a lot of source music on some shows and none on others."
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Stephen Hopkins
"When I was thinking of casting this, I thought, What roles would Sellers be playing now?"
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Stephen Hopkins
"It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this."
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Stephen Hopkins
"Everyone was going to play their part honestly, and not try and pretend to be good or bad guys."
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Stephen Hopkins
"I've always been a bit of a sound freak in the movies I've done."
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Stephen Hopkins
"If people aren't in sync, things won't work out well."
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Stephen Hopkins
"I had no special effects, no monsters running around, nothing blew up; those things are all things I've done so many times that they lose their allure after a while."
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Stephen Hopkins
"I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid."
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