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Stephen Hopkins

"I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face."

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"I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face."

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Donna Grant

"I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days."

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Donna Grant

"I have had fans make me the big picture collages of the photo books; I have had fans send me birthday cakes... sing to me on my voicemail. I have had fans flash me. I have had older fans give me their bras and underwear onstage."

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Donna Grant

"I trained to be a priest - started to. I went to seminary school when I was 11. I wanted to be a priest, but when they told me I could never have sex, not even on my birthday, I changed my mind."

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Donna Grant

"My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish."

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Donna Grant

"I crashed my boyfriend's birthday when I was 12 years old. He didn't invite me and so I showed up."

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Donna Grant

"As far as those kinds of things, I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release."

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Donna Grant

"The summer of 2002 at the Wilson birthday party I met Van Dyke again and I made plans to have dinner with him."

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Donna Grant

"You know, we'd just had a birthday, he was... you know, he still had a future out of him, and all I can is he was just one of the most beautiful people in the world... a very gifted man, and it's a loss to the world, not just for us."

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Donna Grant

"In 1993 my birthday present was a star on Hollywood's Walk of Fame."

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Donna Grant

"All the world is birthday cake, so take a piece, but not too much."

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Stephen Hopkins
"I had no special effects, no monsters running around, nothing blew up; those things are all things I've done so many times that they lose their allure after a while."
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Stephen Hopkins
"24 isn't like other shows, where you set the look once and you're done. The show started at midnight, then moved to a pre-dawn look, and now we're at dawn and we're warming up the day."
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Stephen Hopkins
"There's no attempt to manipulate the audience. We made our choice at the start."
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Stephen Hopkins
"It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this."
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Stephen Hopkins
"When I was thinking of casting this, I thought, What roles would Sellers be playing now?"
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Stephen Hopkins
"Everyone was going to play their part honestly, and not try and pretend to be good or bad guys."
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Stephen Hopkins
"Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on."
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Stephen Hopkins
"I've always been a bit of a sound freak in the movies I've done."
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Stephen Hopkins
"I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid."
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Stephen Hopkins
"I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise."
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