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Luc Ferrari

"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."

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"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."

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Akiroq Brost

"I can see me continuing to make the best music I can, and let the chips fall where they may."

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Akiroq Brost

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Akiroq Brost

"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."

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Akiroq Brost

"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."

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Akiroq Brost

"I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised."

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Akiroq Brost

"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."

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Akiroq Brost

"A song has to become as much a part of you as a tailored suit."

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Akiroq Brost

"There's nothing to compare to live music, there just isn't anything."

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Akiroq Brost

"That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out."

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Akiroq Brost

"In country music the lyric is important and the melodies get a little more complex all the time, and you hear marvelous new singers who are interested in writing and interpreting a lyric and in all form of popular music."

Explore more quotes by Luc Ferrari

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Luc Ferrari
"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."
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Luc Ferrari
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
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Luc Ferrari
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
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Luc Ferrari
"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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Luc Ferrari
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
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Luc Ferrari
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
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Luc Ferrari
"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."
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Luc Ferrari
"I have problems with machines which aren't gestural."
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Luc Ferrari
"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."
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Luc Ferrari
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
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