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Luc Ferrari

"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."

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"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."

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Amber Hurdle

"A song is anything that can walk by itself."

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Amber Hurdle

"People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas."

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Amber Hurdle

"All truthful music is familiar to the ear, for its notes were written into our souls long ago."

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Amber Hurdle

"Music is something that always lifts my spirits and makes me happy, and when I make music I always hope it will have the same effect on whoever listens to it."

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Amber Hurdle

"Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries."

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Amber Hurdle

"I don't like rap music at all. I don't think it's music. It's just a beat and rapping."

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Amber Hurdle

"Well, I don't think it ever did, but in the early '60s I got interested in folk music."

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Amber Hurdle

"Serious musicians are finding it harder and harder to have a voice in the world of music these days."

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Amber Hurdle

"I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people."

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Amber Hurdle

"The music and everything we're doing on the stage and on television backs itself up. If that's what gets people's curiosity going or brings their attention to us, that's fine."

Explore more quotes by Luc Ferrari

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Luc Ferrari
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
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Luc Ferrari
"I have problems with machines which aren't gestural."
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Luc Ferrari
"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."
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Luc Ferrari
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
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Luc Ferrari
"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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Luc Ferrari
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
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Luc Ferrari
"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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Luc Ferrari
"My sisters were going out with artists and poets, and eventually it was the creative world which attracted me."
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Luc Ferrari
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
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Luc Ferrari
"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."
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