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"That feeling. That's the real difference in a life. People who live on solid ground, underneath safe skies, know nothing of this; they are like the English POWs in Dresden who continued to pour tea and dress for dinner, even as the alarms went off, even as the city became a towering ball of fire. Born of a green and pleasant land, a temperate land, the English have a basic inability to conceive of disaster, even when it is man-made."
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"It never occurred to me that we would have as grandiose a program as the Marshall Plan, but I felt that we had to do something to save Europe from economic disaster which would encourage the Communist takeover."
"We had had several mine disasters where workers, some of the workers were rescued. It was, you know, who was lucky and who weren't. Some would find the air pockets But, in this one, bam, it was just, everybody was gone and it greatly depressed the state."
"What's sort of interesting about the whole public relations disaster that is the Net, in some ways, is that the fundamentals are really good."
"It is always one's virtues and not one's vices that precipitate one into disaster."
"Mr. Chairman, obviously a $60 million cut in the National Endowment for the Arts would be a disaster."
"There could have been more planning in New Orleans, but you look at all the devastation that happened there - have we gotten to 3,000 deaths yet? For that magnitude of a disaster, that's not all that bad."
"If I could learn to treat triumph and disaster the same, then I would find bliss."
"First, those images help us understand the general and specific magnitude of disaster caused by the tsunami. The huge outpouring of aid would not have happened without those images."
Explore more quotes by Zadie Smith
"You can't state difference and also state equality. We have to state sameness to understand equality."
"It's like that quote: 'If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.' The choice between a duty or a principle, you know?"
"She wore her sexuality with an older woman's ease, and not like an awkward purse, never knowing how to hold it, where to hang it, or when to just put it down."
"At a certain point you have to leave childish things behind, and one of the childish things is a sense that 'Wow, I can draw' or in my case 'Wow, I can read'... You feel you have what's called a talent, but as you become an adult, if you hope to make things, you have to give up the preoccupation with talent otherwise you'll spend your life painting beautiful pictures of fruit bowls that look like fruit bowls."
"And it's time people told the truth about beautiful women. They do not shimmer down staircases. They do not descend, as was once supposed, from on high, attached to nothing other than wings."
"It's such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone."
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