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"In the order I was in, each brother takes five vows, one of which is teaching the poor gratuitously. As a young person I was seized by this idea of social justice and I wanted very much to follow my vow of teaching the poor gratuitously."
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"The real beauty of a house is always the happiness inside that house!"

"We grow up opposing our parents only to become like them enough to oppose our children who behave as we once did-a reminder of how dreadful we were toward those now vindicated grandparents. And you thought God had no sense of humor."

"Grandchildren are their grandparents' toys."
Explore more quotes by Godfrey Reggio

"In terms of the feeling of the piece, I cant think about what people are gonna think about it, what are the critics gonna say, I'm trying to bring some resolution, and realize that myself. It's a struggle; it's a process that gets us this."

"In the order I was in, each brother takes five vows, one of which is teaching the poor gratuitously. As a young person I was seized by this idea of social justice and I wanted very much to follow my vow of teaching the poor gratuitously."

"It is very easy to make clear what you want a film to say, but I did not wish to engage in overt propaganda, even for the right cause. I wanted to create an experience through the films, something where people could have the freedom of their own response to them."

"I think it's the tragedy of our time that we're not aware of the affect of the manner in which we've adopted tools. Those tools have become who we are."

"So, not for lack of love of language, but because I feel our language is in an enormous state of humiliation, I decided to make films without words."

"So to hope to be able to have peace, to be able to have justice and environmental balance, are consequences of our behavior, not just our intentions."

"I think it's naive to pray for world peace if we're not going to change the form in which we live."

"The language of the moment or, as it were, the language of the order in which we live, is the image. I felt that if I wanted to commune with the public, I should best do so through the language of image. It's a conscious embrace of a contradiction."
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