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"I mean I grew up in Ireland, so one would have to be consciously blinkered not to have reflected on the issue of political violence because that was the story since I was 19 years old or 20."
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"It [discovering Finnish] was like discovering a wine-cellar filled with bottles of amazing wine of a kind and flavour never tasted before. It quite intoxicated me."

"She picked up the stout and took a sip. It slid down her throat like silk."

"Not everyone can experience what other people can... That's why movies come out... films and books... and short stories and novels..."

"Our experiences are the building blocks of the future hewn out of the granite of the present."

"Life wants you to touch, taste and see the grandeur of the world's unfathomable variety."

"There is a huge difference between learning about truth and experiencing truth. Touch the source."

"Looking back at the years I spent in the asylums, I'm now convinced some of that insanity rubbed off onto me!"

"It is not how long the music last but how much we enjoy."

"When the reality looks extraordinarily unreal, you must know that you are in an extraordinarily beautiful place!"
Explore more quotes by Neil Jordan

"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."

"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."

"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."

"In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it."

"The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into."

"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."

"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."
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