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"We named the bar The Bar. 'People will think we're ironic instead of creatively bankrupt,' my sister reasoned.Yes, we thought we were being clever New Yorkers - that the name was a joke no one else would really get, like we did. Not meta-get ... But our first customer, a gray-haired woman in bifocals and a pink jogging suit, said, 'I like the name. Like in Breakfast at Tiffany's and Audrey Hepburn's cat was named Cat."
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"Playing Solitaire is a non-smoking employee's smoke break."
"They lack suggestive power. And when a book lacks suggestive power, however hard it hits the surface of the mind it cannot penetrate within."
"To me she said, "It's this stupid gotcha thing, they've been doing it for weeks now. Leaping out at each other and us, scaring the hell out of everyone.""It's a game of wits," Bert said to me."Half-wits," Kristy added."
"He has all of the virtues I dislike and none of the vices I admire."
Explore more quotes by Gillian Flynn
"Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.We are one long frightening climax."
"I am, after all, an adult, a grown man, a useful human being, even though I lost the career that made me all these things. I won't make that mistake again."
"You can like an immoral character because she's interesting, not because you want to have her over for dinner."
"I'd developed an inability to demonstrate much negative emotion at all. It was another thing that made me seem like a dick - my stomach could be all oiled eels, and you would get nothing from my face and less from my words. It was a constant problem: too much control or no control at all."
"The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings."
"I didn't think past the first step of anything, that was the key. I drank a Coke and didn't worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn't worry about the offensive sexism or the lack of minorities in meaningful roles. I didn't even worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy."
"My father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun."
"The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script."
"So are there any asshole guys here I can start dating?' she says. 'That's, like, my pattern."
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