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"I'd hoped for someone who was remarkably intelligent, but disadvantaged by home circumstance, someone who only needed an hour's extra tuition a week to become some kind of working-class prodigy. I wanted my hour a week to make the difference between a future addicted to heroin and a future studying English at Oxford. That was the sort of kid I wanted, and instead they'd given me someone whose chief interest was in eating fruit. I mean, what did he need to read for? There's an international symbol for the gents' toilets, and he could always get his mother to tell him what was on television."
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"Trying to educate the dumb with a dumb teacher is nothing but washing the dirty clothes in a dirty water!"
"They spent the first three years of school getting you to pretend stuff and then the rest of it marking you down if you did the same thing."
"Ask yourself how many people you have met who grumbled at a thing as incurable, and how many who attacked it as curable? How many people we have heard abuse the British elementary schools, as they would abuse the British climate? How few have we met who realized that British education can be altered, but British weather cannot?...For a thousand that regret compulsory education, where is the hundred, or the ten, or the one, who would repeal compulsory education? At the beginning of our epoch men talked with equal ease about Reform and Repeal. Now everybody talks about reform; nobody talks about repeal."
"This is what a real teacher does: she opens the gates of our minds to the possibilities of the soul."
Explore more quotes by Nick Hornby
"I don't want my books to exclude anyone, but if they have to, then I would rather they excluded the people who feel they are too smart for them!"
"We can't be as good as we'd want to, so the question then becomes, how do we cope with our own badness?"
"I had to nurture those doubts as if they were tiny, sickly kittens, until eventually they became sturdy, healthy grievances, with their own cat doors, which allowed them to wander in and out of our conversation at will."
"Jess thought for a moment. 'You know those films where people fight up the top of the Empire State Building or up a mountain or whatever? And there's always that bit when the baddie slips off and the hero tries to save him, but, like, the sleeve of this jacket tears off and goes over and you hear him all the way down. Aaaaaaaaagh. That's what I want to do.' 'You want to watch me plunge to my doom.' 'I'd like to know that I've made the effort. I want to show people the torn sleeve."
"It's music rage, which is like road rage, only more righteous. When you get road rage, a tiny part of you knows you're being a jerk, but when you get music rage, you're carrying out the will of God, and God wants these people dead."
"There were only seven years between the first and last Beatles albums. That's nothing, seven years, when you think of how their hairstyles changed and their music changed. Some bands now go seven years without hardly bothering to do anything."
"You don't ask people with knives in their stomachs what would make them happy; happiness is no longer the point. It's all about survival; it's all about whether you pull the knife out and bleed to death or keep it in, in the hope that you might be lucky, and the knife has actually been staunching the blood. You want to know the conventional medical wisdom? The conventional medical wisdom is that you keep the knife in. Really."
"I would never attempt to dissuade anyone from reading a book. But please, if you're reading something that's killing you, put it down and read something else, just as you would reach for the remote if you weren't enjoying a TV program...All I know is that you can get very little from a book that is making you weep with the effort of reading it. You won't remember it, and you'll be less likely to choose a book over [insert popular contemporary TV program] next time you have a choice."
"The Beatles were bubblegum cards and Help at the Saturday morning cinema and toy plastic guitars and singing 'Yellow Submarine' at the top of my voice in the back row of the coach on school trips. They belong to me, not to me and Laura, or me and Charlie, or me and Alison Ashworth, and though they'll make me feel something, they won't make me feel anything bad."
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