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"I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days."
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Personal Development

"As far as those kinds of things, I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release."
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Personal Development

"The summer of 2002 at the Wilson birthday party I met Van Dyke again and I made plans to have dinner with him."
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Personal Development

"You know, we'd just had a birthday, he was... you know, he still had a future out of him, and all I can is he was just one of the most beautiful people in the world... a very gifted man, and it's a loss to the world, not just for us."
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Personal Development

"In 1993 my birthday present was a star on Hollywood's Walk of Fame."
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Personal Development

"I went to a rare live Van Dyke show and met him there. And then he came to a show of mine and we spoke back stage. The third time was at Brian Wilson's birthday party."
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Personal Development

"Lucy took care of me on the set, and made sure that none of the crew cussed around me. She also had birthday parties for me and made sure that they were well attended."
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Personal Development

"On my birthday, I was in Milan for the collections."
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Personal Development

"My best kiss was on stage. Kelly Rowland from Destiny's Child gave me a really nice soft kiss on my lips during a performance on my birthday. It was amazing."
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Personal Development

"I binge when I'm happy. When everything is going really well, every day is like I'm at a birthday party."
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"Creativity is much better when it's free. Someone can take it and sell it if that's what it needs, and from that standpoint, you have to have a label. If you could make your music and just give it away and somehow make a living - that would be the best scenario."
Music

"Back then, we could drive a mile from home and there was nothing. Now it's grown in every direction and is populated and modernized. I guess I have mixed feelings about it, but I'm not someone that thinks everything should stop growing."
Home

"When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me."
People

"It became a question of do I want to be on a label where it could take three years to put out a record instead of putting out three records over the same period of time on my own."
Time

"You know that they're not just into it for the moment, they really care about it and value it over time."
Time

"I have more perspective now, and am happier now. It's not that I don't want success, but I now know I can have success at a lower level and make much more money doing it by myself. I make $6 or $7 bucks a record vs. nothing off those other records."
Money

"My family lives there, so I come back sometimes between shows for a couple days. I get back a couple times a year. When I was 30 to 34 I was weirded out when I came back - you know, how your past gets away from you. It's grown so much."
Family

"The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place."
Imagination

"More labels should be like that. Instead of putting these records out myself, I should have just signed with them, but they probably don't like my music (laughs)."
Music

"I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist."
Art
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