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Roy Lichtenstein

"You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard."

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"You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard."

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Amber Hurdle

"I'm half Jewish, I'm half black, I look in-between. I dress funny. I play all these different styles of music on one record. It's like, What is he doing?"

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Amber Hurdle

"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

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Amber Hurdle

"Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder."

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Amber Hurdle

"When I first came to Nashville, people hardly gave country music any respect. We lived in old cars and dirty hotels, and we ate when we could."

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Amber Hurdle

"When there's music in your soul, there's soul in your music."

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Amber Hurdle

"It is one thing to record an album but it's a huge difference when people play it and listen to it and embrace it the way that I do. It has always been my dream to get my music out to the world and have people hear it."

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Amber Hurdle

"What is my definition of jazz? 'Safe sex of the highest order."

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Amber Hurdle

"What kind of songs do you like? she asked."The ones that remind me of you," I said."

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Amber Hurdle

"Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own."

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Amber Hurdle

"I usually think in terms of music."

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Roy Lichtenstein
"Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence."
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Roy Lichtenstein
"I think that most people think painters are kind of ridiculous, you know?"
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Roy Lichtenstein
"But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes."
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Roy Lichtenstein
"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."
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Roy Lichtenstein
"In America the biggest is the best."
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Roy Lichtenstein
"Art doesn't transform. It just plain forms."
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Roy Lichtenstein
"I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way."
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Roy Lichtenstein
"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."
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Roy Lichtenstein
"There is a relationship between cartooning and people like Mir= and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney."
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Roy Lichtenstein
"I like to pretend that my art has nothing to do with me."
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