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"So it helped me to just let go of all my tensions and feelings about that world and say 'OK, this is for my fans in Japan. They'll be nice and get into it and have fun.' And it was the first record I made at my home studio."
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"Home is anywhere that you know all your friends and all your enemies."

"Being a child at home alone in the summer is a high-risk occupation. If you call your mother at work thirteen times an hour, she can hurt you."

"An artist has no home in Europe except in Paris."

"Many working mothers feel guilty about not being at home. And when they are there, they wish it could be perfect. This pressure to make every minute happy puts working parents in a bind when it comes to setting limits and modifying behavior."

"My husband gave up all his work to stay at home with the kids, and we split all the duties at home. I do all the boring stuff - like pay the bills, and he does all the exercising for both of us, which I'm very grateful for... I thank him for it regularly."
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"I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record."

"First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan."

"The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place."

"I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist."

"There are things that I value now that I didn't when I first went over there, like Zen Buddhism, which has become part of my life over the last couple years."

"More labels should be like that. Instead of putting these records out myself, I should have just signed with them, but they probably don't like my music (laughs)."

"It became a question of do I want to be on a label where it could take three years to put out a record instead of putting out three records over the same period of time on my own."

"It wasn't so much that I had to leave to make it in the music business as I was curious to be out on my own and sort of explore. I never felt that where I was ever influenced my songwriting."

"The summer of 2002 at the Wilson birthday party I met Van Dyke again and I made plans to have dinner with him."

"I have more perspective now, and am happier now. It's not that I don't want success, but I now know I can have success at a lower level and make much more money doing it by myself. I make $6 or $7 bucks a record vs. nothing off those other records."
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