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"There's good and bad in everybody. I wasn't looking for the good, or looking for the bad. This is a man who signed his pact with the devil 20 years ago, and he's learned to live with it. He's tried to protect his family from it."
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"What thumbsuckers we all are...when it comes to mothers."

"Of course there are mothers,squeezing their breastsdry, pawning their bodies,shedding teeth for their children,or that's our fond belief.But remember - Hanseland Gretel were dumped in the forestbecause their parents were starving."

"Happy or unhappy, families are all mysterious. We have only to imagine how differently we would be described - and will be, after our deaths - by each of the family members who believe they know us."

"To each other, we were as normal and nice as the smell of bread. We were just a family. In a family even exaggerations make perfect sense."

"As a mother, you need to remember that a loving and compassionate God is one hundred percent aware of your child's situation."

"He promised us that everything would be okay. I was a child, but I knew that everything would not be okay. That did not make my father a liar. It made him my father."

"My father's attitude was that this was but an inevitable phase of my growing up and he affected to take it lightly. But beneath his jocular, boys-together air, he was at a loss, he was frightened. Perhaps he had supposed that my growing up would bring us closer together- whereas, now that he was trying to find out something about me, I was in full flight from him. I did not want him to know me. I did not want anyone to know me. And then, again, I was undergoing with my father what the very young inevitably undergo with their elders: I was beginning to judge him. And the very harshness of this judgment, which broke my heart, revealed, though I could not have said it then, how much I had loved him, how that love, along with my innocence, was dying."

"But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down."
Explore more quotes by Sam Mendes


"It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character."


"Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other."


"I wanted to keep exploring... I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film."


"There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work."


"Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through."


"It's a risk casting anyone against type or what they're known to do. But there's one thing better than having a great actor, which is having a great actor who's never done what you're asking him to do. He's hungry to get out of the trailer every day and hungry to test himself."


"You freeze with the number of opportunities given to you and just decide to do nothing at all."


"One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this."


"I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself."
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