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"Children, Never look Back!" and this meant that we must never allow the future to be weighed down by memory . for children have no past, and that is the whole secret of the magical innocence of their smiles."
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"The perception of a child who has not yet learned to protect itself by developing the tunnel vision that keeps out ninety percent of the universe."
"A little girl loves her bird - Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes."
"If I ever met someone without a single shadow on their heart, it was surely a child too young for speaking."
Explore more quotes by Milan Kundera
"For there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes."
"They shout that they want to shape a better future, but it's not true. The future is only an indifferent void no one cares about,but the past is filled with life, and its countenance is irritating, repellent, wounding, to the point that we want to destroy it or repaint it. We want to be the masters of the future only for the power to change the past. We fight for access to the labs where we can retouch photos and rewrite biographies and history."
"There is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless."
"The assassination of Allende quickly covered over the memory of the Russian invasion of Bohemia, the bloody massacre in Bangladesh caused Allende to be forgotten, the din of war in the Sinai Desert drowned out the groans of Bangladesh, the massacres in Cambodia caused the Sinai to be forgotten, and so on, and on and on, until everyone has completely forgotten everything."
"Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes)."
"He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist."
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