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Ken Burns

"I don't use composers. I research music the way I research the photographs or the facts in my scripts."

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"I don't use composers. I research music the way I research the photographs or the facts in my scripts."

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Amber Hurdle

"A song is anything that can walk by itself."

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Amber Hurdle

"People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas."

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Amber Hurdle

"All truthful music is familiar to the ear, for its notes were written into our souls long ago."

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Amber Hurdle

"Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries."

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Amber Hurdle

"Well, I don't think it ever did, but in the early '60s I got interested in folk music."

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Amber Hurdle

"Serious musicians are finding it harder and harder to have a voice in the world of music these days."

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Amber Hurdle

"I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people."

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Amber Hurdle

"The music and everything we're doing on the stage and on television backs itself up. If that's what gets people's curiosity going or brings their attention to us, that's fine."

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Amber Hurdle

"This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway."

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Amber Hurdle

"I got obsessed with classical music, I got obsessed with Chopin, with playing the piano."

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Ken Burns
"A jazz beat is a dynamic changing rhythm."
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Ken Burns
"When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad."
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Ken Burns
"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."
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Ken Burns
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
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Ken Burns
"Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being."
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Ken Burns
"By its very nature, no one person can ever be the center of jazz."
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Ken Burns
"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."
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Ken Burns
"You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time."
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Ken Burns
"You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living."
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Ken Burns
"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."
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