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"I don't look at emails, Internet or newspapers before 1 P.M. I wake at 7 A.M., eat fruit, drink tea or coffee, and read what I've achieved, or not achieved, the previous day. Then I take a shower and work on my next sentence until 1 P.M. After I've done emails and so on, I write again from 3 P.M. until 8 P.M.; then I socialise."
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"Susannah continued. 'If and when I go off slow dancing in the ever after, I don't want to look like I've been stuck in a hospital room my whole life. I at least want to be tan."

"I started off for home, where I planned to recruit a good book and hide away from the world."

"This is the fast lane, folks...and some of us like it here."

"She was made for untidy rooms and rumpled beds."

"He was a very private person, and sometimes it seemed to me that he was no longer interested in the world or in other people… I got the feeling that Julián was living in the past, locked in his memories. Julián lived within himself, for his books and inside them—a comfortable prison of his own design."
"You say this as if you envied him."
"There are worse prisons than words."

"We loved cars until the '70s or so. Then they became appliances. They turned into motorized cup holders. Most of it has to do with urban sprawl. What began as pleasure ends up in necessity, as so many things do."

"You know it's the 21st Century when someone TEXTS you from the washroom to ask you to bring them a roll of toilet paper."

"Wear flannel next to your skin, and never believe in eternal punishment."
Explore more quotes by Orhan Pamuk

"The knowledge that she could learn to love a man had always meant more to her than loving him effortlessly, more even than falling in love, and that was why now she felt herself to be on the threshold of a new life, a happiness bound to endure for a very long time."

"Ka found it very soothing: for the first time in years, he felt part of a family. In spite of the trials and responsibilities of what was called 'family', he saw now the joys of its unyielding togetherness, and was sorry not to have known more of it in his life."

"Every life is like a snowflake: individual existences might look identical from afar, but to understand one s own eternally mysterious uniqueness one had only to plot the mysteries of one s own snowflake."

"The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman."

"I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual."

"Women kill themselves because they hope to gain something," said Kadife. "Men kill themselves because they've lost hope of gaining anything."

"Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head."
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