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Rebecca Solnit

"The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest."

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"The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest."

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Amber Hurdle

"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."

Personal Development

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Amber Hurdle

"What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?"

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Amber Hurdle

"My father-in-law . . . was a great inspiration to me both in life and in his preparation for death."

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Amber Hurdle

"Without love, life is unsustainable."

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Amber Hurdle

"A genius is a person who is more observant and has more patience."

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Amber Hurdle

"The mystic, identifying neither with his-her race-religion-gender nor with any mind-made blunder, lives and dies in One's splendor."

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Amber Hurdle

"Old age is like everything else. To make a success of it, you've got to start young."

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Amber Hurdle

"A nuclear reactor is a proposed "solution" to "the energy problem." But like all big-technological "solutions," this one "solves" a single problem by causing many...A garden, on the other hand, is a solution that leads to other solutions. It is a part of the limitless pattern of good health and good sense."

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Amber Hurdle

"As I age in the world it will rise and spread,and be for this place horizonand orison, the voice of its winds.I have made myself a dream to dreamof its rising, that has gentled my nights.Let me desire and wish well the lifethese trees may live when Ino longer rise in the morningsto be pleased with the green of themshining, and their shadows on the ground, and the sound of the wind in them."

Explore more quotes by Rebecca Solnit

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Rebecca Solnit
"Mostly we tell the story of our lives, or mostly we're taught to tell it, as a quest to avoid suffering, though if your goal is a search for meaning, honor, experience, the same events may be victories or necessary steps. Then the personal matters; it's home; but you can travel in and out of it, rather than being marooned there. The leprosy specialist Paul Brand wrote, "Pain, along with its cousin touch, is distributed universally on the body, providing a sort of boundary of self," but empathy, solidarity, allegiance--the nerves that run out into the world--expand the self beyond its physical bounds."
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Rebecca Solnit
"The naively cynical measure a piece of legislation, a victory, a milestone not against the past or the limits of the possible, but against their ideas of perfection..."
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Rebecca Solnit
"A person in her twenties has been a child for most of her life, but as time goes by that portion that is childhood becomes smaller and smaller, more and more distant, more and more faded, though they say at the end of life the beginning returns with renewed vividness, as though you had sailed all the way around the world and were going back into the darkness from which you came."
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Rebecca Solnit
"We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills in the space in between with the blue of longing. I wonder sometimes whether with a slight adjustment of perspective it could be cherished as a sensation in its own terms, since it is as inherent to the human condition as blue is to distance?"
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Rebecca Solnit
"In the wildlife sanctuaries of literature, we study the species of speech, the flight patterns of individual words, the herd behavior of words together, and we learn what language does and why it matters. this is excellent training for going out into the world and looking at all the unhallowed speech of political statements and news headlines and CDC instructions and seeing how it makes the word or in this case, makes a mess of it. It is the truest, highest purpose of language to make things clear and help us see; when words are used to do the opposite you know you're in trouble and maybe that there's a cover-up."
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Rebecca Solnit
"What is the message that wild animals bring, the message that seems to say everything and nothing? What is this message that is wordless, that is nothing more or less than the animals themselves- that the world is wild, that life is unpredictable in its goodness and its danger, that the world is larger than your imagination."
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Rebecca Solnit
"Women often find great roles in revolution, simply because the rules fall apart and everyone has agency, anyone can act. As they did in Egypt, where liberty leading the masses was an earnest young woman in a black hijab."
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Rebecca Solnit
"Libraries are sanctuaries from the world and command centers onto it: here in the quiet rooms are the lives of Crazy Horse and Aung San Suu Kyi, the Hundred Years' War and the Opium Wars and the Dirty War, the ideas of Simone Weil and Lao-Tzu, information on building your sailboat or dissolving your marriage, fictional worlds and books to equip the reader to reenter the real world. They are, ideally, places where nothing happens and where everything that has happened is stored up to be remembered and relived, the place where the world is folded up into boxes of paper. Every book is a door that opens onto another world, which might be the magic that all those children's books were alluding to, and a library is a Milky Way of worlds."
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Rebecca Solnit
"No matter how deeply you come to know a place, you can keep coming back to know it more."
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Rebecca Solnit
"Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go."
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