Todd Solondz, an American writer and director, is celebrated for his darkly humorous and provocative films that explore the complexities of human relationships and society's taboos. From his breakthrough film "Welcome to the Dollhouse" to his critically acclaimed works such as "Happiness" and "Palindromes," Solondz's uncompromising vision and unflinching portrayal of the human condition have made him a distinctive voice in independent cinema.

"Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original."



"Storytelling is the only studio movie where the censorship is perfectly clear, the only studio movie with a big red box covering up a shot. I take pride in that - and, of course, in having avoided the fate of Eyes Wide Shut."


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"I admit there's an element of brutality in all my work - it's part of the truth about human existence I always want to explore - but the last thing I'm trying to do is put on some kind of freak show, inviting people to get off on other people's pain and humiliation."



"The ability to take pleasure in one's life is a skill and is a kind of intelligence. So intelligence is a hard thing to evaluate and it manifests itself in so many different ways. I do think the ability to know how to live a life and not be miserable is a sign of that."



"I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I'd like to do that kind of work someday, but for better or worse I'm too drawn by my own material."



"Optimism is not inherently a superior way of viewing the world. Certainly doctors will say it might be better for one's physical health to be an optimist. But, morally speaking it may not be appropriate in certain circumstances."



"Well, so far, at least, my own ideas always take priority over those of other writers. As long as the well doesn't run dry, I imagine this will be the case."



"In particular, people have trouble understanding where I stand in relation to my characters, and very often this gets reduced to me making vicious fun of them."

