Orhan Pamuk is a Turkish novelist and Nobel laureate known for his profound storytelling that weaves together history, culture, and identity. His works, which explore the complexities of life in modern Turkey, offer readers a rich tapestry of narratives that invite reflection on global and local themes. Pamuk's ability to blend cultural heritage with personal narrative inspires writers and readers to engage with the world through a critical and creative lens, fostering a deeper understanding of humanity and its shared history.
"When the whole world reads your books, is there any other happiness for a writer? I am happy that my books are read in 57 languages. But I am focused on Istanbul not because of Istanbul but because of humanity. Everyone is the same in the end."
"I read a book one day and my whole life was changed."
"Happiness is holding someone in your arms and knowing you hold the whole world."
"I must be myself, I said over and over. I must forget these people buzzing inside my head, I must forget their voices, their smells, their demands, their love, their hate, and be myself, I must be myself, I told myself, as i gazed down at the legs resting so happily on the stool, and I told myself again as I looked up to watch the smoke I'd blown up to the ceiling; I must be myself, because if I failed to be myself, I become the person they wanted me to be; if I had to be that insufferable person, I'd rather be nothing at all. It would be better if I didn't exist,..."
"Let me first state forthright that contrary to what we've often read in books and heard from preachers, when you are a woman, you don't feel like the Devil."
"There are two kinds of Communists: the arrogant ones, who enter the fray hoping to make men out of the people and bring progress to the nation; and the innocent ones, who get involved because they believe in equality and justice. The arrogant ones are obsessed with power; they presume to think for everyone; only bad can come of them. But the innocents? The only harm they do is to themselves. But that's all they ever wanted in the first place. They feel so guilty about the suffering of the poor, and are so keen to share it, that they make their lives miserable on purpose."
"It seemed to me that the entire world was like a palace with countless rooms whose doors opened into one another. We were able to pass from one room to the next only by exercising out memories and imaginations, but most of us, in our laziness, rarely exercised these capacities, and forever remained in the same room."
"Believing that Sibel was saying these things to me to make me angry, I got angry. But this is not to say that the fury owed nothing to my partial awareness that she was right."
"Suddenly Ka realized he was in love with Apek. And realizing that this love would determine the rest of his life, he was filled with dread."
"I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual."
"It's not the content, but the form of thought that counts."
"Contrary to what is commonly believed, all murderers are men of extreme faith rather than unbelievers."
"These were innocent people, so innocent that they thought poverty a crime that wealth would allow them to forget. --- from the notebooks of Celal Salik."
"I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint."
"I have always thought that the place where you sleep or the place you share with your partner should be separate from the place where you write. The domestic rituals and details somehow kill the imagination. They kill the demon in me."
"As much as I live I shall not imitate them or hate myself for being different to them."
"The knowledge that she could learn to love a man had always meant more to her than loving him effortlessly, more even than falling in love, and that was why now she felt herself to be on the threshold of a new life, a happiness bound to endure for a very long time."
"We don't need more museums that try to construct the historical narratives of a society, community, team, nation, state, tribe, company, or species. We all know that the ordinary, everyday stories of individuals are riches, more humane, and much more joyful."
"How much can we ever know about the love and pain in another heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?"
"Eventually, we come to love certain novels because we have expended so much imaginative labor on them. This is why we hang on to those novels, whose pages are creased and dog-eared."
"Many years before, Ka had explained to me that when a good poet is confronted with difficult facts that he knows to be true but also inimical to poetry, he has no choice but to feel to the margins; it was, he said, this very retreat that allowed him to hear the hidden music that is the source of all art."
"Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave."
"Books, which we mistake for consolation, only add depth to our sorrow."
"There's a lot of pride involved in my refusal to believe in god."
"A novelist is essentially a person who covers distance through his patience, slowly, like an ant. A novelist impresses us not by his demonic and romantic vision, but by his patience."
"Real museums are places where Time is transformed into Space."
"If I think back on the books to which I have devoted my entire life, I am most surprised by those moments when I have felt as if the sentences, dreams, and pages that have made me so ecstatically happy have not come from my own imagination - that another power has found them and generously presented them to me."
"My fear was not the fear of God but, as in the case of the whole Turkish secular bourgeoisie, fear of the anger of those who believe in God too zealously(...) I experienced the guilt complex as something personal, originated less from the fear of distancing myself from God than from distancing myself from the sense of community shared by the entire city ."
"Age had not made him less handsome, as is so often the case; it had simply made him less visible."
"The hero of the book does long to experience God. But his conception of God is very western."
"A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is. When I speak of writing, the image that comes first to my mind is not a novel, a poem, or a literary tradition; it is the person who shuts himself up in a room, sits down at a table, and, alone, turns inward. Amid his shadows, he builds a new world with words."
"In a brutal country like ours, where human life is 'cheap', it's stupid to destroy yourself for the sake of your beliefs. Beliefs? High ideas? Only people in rich countries can enjoy such luxuries."
"The only antidote to the loneliness of the streets was the streets themselves."
"I saw myself in the mirror, and from my expression I had a shocking intimation of the rift between my body and my soul. Whereas my face was drained by defeat and shock, inside my head was another universe: I now understood as an elemental fact of life that while I was here, inside my body was a soul, a meaning, that all things were made of desire, touch, and love, that what I was suffering was composed of the same elements."
"I need the pain of loneliness to make my imagination work."
"Women kill themselves because they hope to gain something," said Kadife. "Men kill themselves because they've lost hope of gaining anything."
"The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman."
"The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined."
"And awakening, at that moment, to the thrilling prospect of complete surrender, not just of one's lips but of one's entire body to a lover's mercy, we recognized that the gap between compassion and surrender is love's darkest, deepest region."
"At first my publisher had reservations about publishing it in the form you are familiar with."