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Orhan Pamuk

"When the whole world reads your books, is there any other happiness for a writer? I am happy that my books are read in 57 languages. But I am focused on Istanbul not because of Istanbul but because of humanity. Everyone is the same in the end."

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"When the whole world reads your books, is there any other happiness for a writer? I am happy that my books are read in 57 languages. But I am focused on Istanbul not because of Istanbul but because of humanity. Everyone is the same in the end."

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Akiroq Brost

"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."

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Akiroq Brost

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

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Akiroq Brost

"The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity."

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Akiroq Brost

"Anon, who wrote so many poems without signing them, was often a woman."

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Akiroq Brost

"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"

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Akiroq Brost

"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."

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Akiroq Brost

"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

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Akiroq Brost

"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."

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Akiroq Brost

"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."

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Akiroq Brost

"First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him."

Explore more quotes by Orhan Pamuk

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Orhan Pamuk
"It's such a shame that we know so little about our own country, that we can't find it in our hearts to love our own kind. Instead we admire those who show our country disrespect and betray its people."
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Orhan Pamuk
"At the end of the day there was nothing to be gained by reminding people that everything that had ever been written, even the greatest and most authoritative texts in the world, were about dreams, not real life, dreams conjured up by words."
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Orhan Pamuk
"What was the difference between love and the agony of waiting? Like love, the agony of waiting began in the muscles somewhere around the upper belly but soon spread out to the chest, the thighs, and the forehead, to invade the entire body with numbing force."
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Orhan Pamuk
"I must be myself, I said over and over. I must forget these people buzzing inside my head, I must forget their voices, their smells, their demands, their love, their hate, and be myself, I must be myself, I told myself, as i gazed down at the legs resting so happily on the stool, and I told myself again as I looked up to watch the smoke I'd blown up to the ceiling; I must be myself, because if I failed to be myself, I become the person they wanted me to be; if I had to be that insufferable person, I'd rather be nothing at all. It would be better if I didn't exist,..."
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Orhan Pamuk
"I'd been living luminously between two eternities of darknness."
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Orhan Pamuk
"I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'"
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Orhan Pamuk
"To write is to transform that inward gaze into words, to study the worlds into which we pass when we retire into ourselves, and to do so with patience, obstinacy, and joy."
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Orhan Pamuk
"I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual."
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Orhan Pamuk
"A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is. When I speak of writing, the image that comes first to my mind is not a novel, a poem, or a literary tradition; it is the person who shuts himself up in a room, sits down at a table, and, alone, turns inward. Amid his shadows, he builds a new world with words."
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Orhan Pamuk
"Every life is like a snowflake: individual existences might look identical from afar, but to understand one s own eternally mysterious uniqueness one had only to plot the mysteries of one s own snowflake."
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