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"And awakening, at that moment, to the thrilling prospect of complete surrender, not just of one's lips but of one's entire body to a lover's mercy, we recognized that the gap between compassion and surrender is love's darkest, deepest region."
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"I think this'll definitely tide me over while we're apart,Bones laughed, dragging me into his arms with far more strength and quickness than was fair, considering I still had trouble making my limbs operate.'Oh, Kitten, he murmured as his lips dragged down my throat. 'You didn't really think we were done, did you?"
"If you love a flower which happens to be on a star, it is sweet at night to gaze at the sky. All the stars are a riot of flowers."
"Never underestimate the capacity for romance, no matter what the circumstances."
"I love you. You're the only one." She isn't the first woman he's ever said that to. He shouldn't have used it up so much earlier in his life, he shouldn't have treated it like a tool, a wedge, a key to open women. By the time he got around to meaning it, the words had sounded fraudulent to him and he'd been ashamed to pronounce them."
"We are but faint-hearted crusaders...our expeditions are but tours...half the walk is but retracing our steps. We should go forth on the shortest walks, perchance, in the spirit of stirring adventure, never to return, -prepared to send back our embalmed hearts only as relics to our desolate kingdoms...if you have paid your debts and made your will, and settled all your affairs, and are a free man, then you are ready for a walk."
"His eyes ignited into a color found only in the heart of the sun. ''Yes?''''Yes, already. I'll marry you. Yes. Hell, yes. What am I, stupid?"
"I like you so much I don't know what to do with it. My heart beats so fast when I know I'm going to see you again."
Explore more quotes by Orhan Pamuk
"Many years before, Ka had explained to me that when a good poet is confronted with difficult facts that he knows to be true but also inimical to poetry, he has no choice but to feel to the margins; it was, he said, this very retreat that allowed him to hear the hidden music that is the source of all art."
"My fear was not the fear of God but, as in the case of the whole Turkish secular bourgeoisie, fear of the anger of those who believe in God too zealously(...) I experienced the guilt complex as something personal, originated less from the fear of distancing myself from God than from distancing myself from the sense of community shared by the entire city ."
"Well, on the one hand the Turks have the legitimate need to defend their national dignity - and this includes being recognized as a part of the west and Europe."
"We don't need more museums that try to construct the historical narratives of a society, community, team, nation, state, tribe, company, or species. We all know that the ordinary, everyday stories of individuals are riches, more humane, and much more joyful."
"It's such a shame that we know so little about our own country, that we can't find it in our hearts to love our own kind. Instead we admire those who show our country disrespect and betray its people."
"At the end of the day there was nothing to be gained by reminding people that everything that had ever been written, even the greatest and most authoritative texts in the world, were about dreams, not real life, dreams conjured up by words."
"What was the difference between love and the agony of waiting? Like love, the agony of waiting began in the muscles somewhere around the upper belly but soon spread out to the chest, the thighs, and the forehead, to invade the entire body with numbing force."
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