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"Age had not made him less handsome, as is so often the case; it had simply made him less visible."
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"How much can we ever know about the love and pain in another heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known?"
"I don't want to beone of those easily forgotten people, so important at the time, so special, soinfluential, and so treasured, yet years later just a vague face and a distantmemory."
"First time I got the full sight of Shug Avery long black body with it black plum nipples, look like her mouth, I thought I had turned into a man."
"I love that you're worried,' she says, 'but you're worried about all the wrong things."
"He looked down the slope and, at the base, in the shadow of the wall of the Park, he saw some human figures lying. Those venal and furtive loves filled him with despair. He gnawed the rectitude of his life; he felt that he had been outcast from life's feast."
"A dim antagonism gathered force within him and darkened his mind as a cloud against her disloyalty: and when it passed, cloudlike, leaving his mind serene and dutiful towards her again, he was made aware dimly and without regret of a first noiseless sundering of their lives."
Explore more quotes by Orhan Pamuk
"Women kill themselves because they hope to gain something," said Kadife. "Men kill themselves because they've lost hope of gaining anything."
"In a brutal country like ours, where human life is 'cheap', it's stupid to destroy yourself for the sake of your beliefs. Beliefs? High ideas? Only people in rich countries can enjoy such luxuries."
"Suddenly Ka realized he was in love with Apek. And realizing that this love would determine the rest of his life, he was filled with dread."
"Eventually, we come to love certain novels because we have expended so much imaginative labor on them. This is why we hang on to those novels, whose pages are creased and dog-eared."
"I must be myself, I said over and over. I must forget these people buzzing inside my head, I must forget their voices, their smells, their demands, their love, their hate, and be myself, I must be myself, I told myself, as i gazed down at the legs resting so happily on the stool, and I told myself again as I looked up to watch the smoke I'd blown up to the ceiling; I must be myself, because if I failed to be myself, I become the person they wanted me to be; if I had to be that insufferable person, I'd rather be nothing at all. It would be better if I didn't exist,..."
"A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is. When I speak of writing, the image that comes first to my mind is not a novel, a poem, or a literary tradition; it is the person who shuts himself up in a room, sits down at a table, and, alone, turns inward. Amid his shadows, he builds a new world with words."
"I have always thought that the place where you sleep or the place you share with your partner should be separate from the place where you write. The domestic rituals and details somehow kill the imagination. They kill the demon in me."
"I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual."
"The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined."
"The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman."
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