Neil Gaiman, a British author, has captivated readers with his imaginative and often darkly poetic writing across novels, comics, and short stories. Works like American Gods and Coraline have made him a literary icon, known for blending mythology, fantasy, and the human experience. Gaiman's creativity and fearlessness in exploring new worlds have inspired countless writers, artists, and fans worldwide. His legacy encourages us to embrace our imaginations, take risks in our creative endeavors, and to craft stories that resonate on a universal scale.
"The Marquis sighed. "I thought it was just a legend," he said. "Like the alligators in the sewers of New York City."Old Bailey nodded, sagely: "What, the big white buggers? They're down there. I had a friend lost a head to one of them." A moment of silence. Old Naeiley handed the statue back to the Marquis. Then he raised his hand, and snapped it, like a crocodile hand, at the Carabas. "It was OK," gurned Old Bailey with a grin that was most terrible to behold. "He had another."
"The house smelled musty and damp, and a little sweet, as if it were haunted by the ghosts of long-dead cookies."
"So write your story as it needs to be written. Write it honestly, and tell it as best you can. I'm not sure that there are any other rules. Not ones that matter."
"Every lover is, in his heart, a madman, and, in his head, a minstrel."
"Idris: Are all people like this?The Doctor: Like what?Idris: So much bigger on the inside."
"Normally, in anything I do, I'm fairly miserable. I do it, and I get grumpy because there is a huge, vast gulf, this aching disparity, between the platonic ideal of the project that was living in my head, and the small, sad, wizened, shaking, squeaking thing that I actually produce."
"It has been said that civilization is twenty-four hours and two meals away from barbarism."
"We all have so many functions, so many ways of existing. In my own vision of myself, I am a scholar who lives quietly, and pens his little tales, and dreams about a past that may or may not have existed. And that is true, as far as it goes. But I am also, in one of my capacities, like so many of the people you have chosen to associate with, a psychopomp. I escort the living to the world of the dead."
"You can't run away from home without destroying somebody's world."
"I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend..."
"They believe themselves Lucifer's equals, Cain, all these pitiful little gnats. But there is only one that we have ever owned to be our superior. There is but one greater than us, and to him... to him we no longer speak."
"The ball of dark fur pressed itself into my chest, and I wished she was my kitten, and knew that she was not."
"The abbot cleared his throat. "You are all very stupid people," he told them graciously, "and you do not know anything at all."
"You get work however you get work, but people keep working in a freelance world (and more and more of todays world is freelance), because their work is good, because they are easy to get along with and because they deliver the work on time. And you don't even need all three! Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. People will forgive the lateness of your work if it is good and they like you. And you don't have to be as good as everyone else if you're on time and it's always a pleasure to hear from you."
"But the truth is, it's not the idea, it's never the idea, it's always what you do with it."
"I am Desire, am I not? That is what I am; that is what I do. I make things want things. Where I touch, things want and need and love - drawn to their objects of desire like butterflies to a candle-flame."
"Often the adult book is not for you, not yet, or will only be for you when you're ready. But sometimes you will read it anyway, and you will take from it whatever you can. Then, perhaps, you will come back to it when you're older, and you will find the book has changed because you have changed as well, and the book is wiser, or more foolish, because you are wiser or more foolish than you were as a child."
"No, look, there's a blue box. It's bigger on the inside than it is on the outside. It can go anywhere in time and space and sometimes even where it's meant to go. And when it turns up, there's a bloke in it called The Doctor and there will be stuff wrong and he will do his best to sort it out and he will probably succeed 'cause he's awesome. Now sit down, shut up, and watch 'Blink'."
"In truth, Kipling's politics are not mine. But then, it would be a poor sort of world if one were only able to read authors who expressed points of view that one agreed with entirely. It would be a bland sort of world if we could not spend time with people who thought differently, and who saw the world from a different place."
"Now, where do I bring this thing down?" I asked. There was a hesitation, then, "You don't. We didn't design it to return. It was a redundancy we had no need for. Too costly, in terms of resources." "So what do I do? I just saved the Earth. And now I suffocate out here?"
"Fiction can show you a different world. It can take you somewhere you've never been. Once you've visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different."
"By March, the worst of the winter would be over. The snow would thaw, the rivers begin to run and the world would wake into itself again.Not that year.Winter hung in there, like an invalid refusing to die. Day after grey day the ice stayed hard; the world remained unfriendly and cold."
"And life is a good thing for a writer. It's where we get our raw material, for a start. We quite like to stop and watch it."
"Fiction gives us empathy: it puts us inside the minds of other people, gives us the gifts of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over."
"All writers have this vague hope that the elves will come in the night and finish any stories."
"I had forgotten what fiction was to me as a boy, forgotten what it was like in the library: fiction was an escape from the intolerable, a doorway into impossibly hospitable worlds where things had rules and could be understood; stories had been a way of learning about life without experiencing it, or perhaps of experiencing it as an eighteenth-century poisoner dealt with poisons, taking them in tiny doses, such that the poisoner could cope with ingesting things that would kill someone who was not inured to them. Sometimes fiction is a way of coping with the poison of the world in a way that lets us survive it."
"Libraries really are the gates to the future. So it is unfortunate that, round the world, we observe local authorities seizing the opportunity to close libraries as an easy way to save money, without realising that they are stealing from the future to pay for today. They are closing the gates that should be open."
"I have always felt, he said, "that violence was the last refuge of the incompetent, and empty threats."
"Always good to remember when you're making art. You don't have to like it, just be ready to do the next thing."
"It was a survival thing: he didn't answer back, didn't say anything about job security for prison guards, debate the nature of repentance, rehabilitation, or rates of recidivism. He didn't say anything funny or clever, and, to be on the safe side, when he was talking to a prison official, whenever possible, he didn't say anything at all. Speak when you're spoken to. Do your own time. Get out. Go home. ... Rebuild a life."
"The bonds of family bind us up, support us, help us. And they are also a bond from which it is difficult, perhaps impossible to extricate oneself."
"Just remember, what the French say. No, probably not the French, they've got a president or something. The Brits, maybe, or the Swedes. You know what I mean?""No, Matthew. What do they say?""The king is dead, that's what they say. The king is dead. Long live the king."
"We knew that it would soon be over, and so we put it all into a poem, to tell the universe who we were, and why we were here, and what we said and did and thought and dreamed and yearned for. We wrapped our dreams into words and patterned the words so that they would live forever, unforgettable."
"A table for TONIGHT should certainly have been booked years before-perhaps, it was implied, by Richard's parents. A table for TONIGHT was impossible: if the pope, the prime minister, and the president of France arrived this evening without a confirmed reservation, even they would be turned out into the street with a continental jeer."
"She smiled again. "Do you like cat?" she said."Yes," said Richard. "I quite like cats."Anaesthesia looked relieved. "Thigh?" she asked, "or breast?"
"But we do not need to recount every sermon and eulogy. After all, you were there."