Naomi Wolf, the American author, has sparked national conversations with her groundbreaking books on feminism, politics, and culture. With her bold ideas and passionate advocacy, she continues to push boundaries and challenge conventional wisdom, inspiring readers to rethink their assumptions and embrace change.
"By the 1980s beauty had come to play in women's status-seeking the same role as money plays in that of men: a defensive proof to aggressive competitors of womanhood or manhood. Since both value systems are reductive, neither reward is ever enough, and each quickly loses any relationship to real-life values."
"We conceived of the planet as female, an all-giving Mother Nature, just as we conceived of the female body, infinitely alterable by and for man; we serve both ourselves and our hopes for the planet by insisting on a new female reality on which to base a new metaphor for the earth: the female body with its own organic integrity that must be respected."
"It seemed to me, watching, that if you were dextrous enough to gift-wrap an independent-minded amphibian, you could just about manage a condom."
"Why should her lover, just because he is male, be in a position to judge her against other women? Why must she need to know her position and hate needing to, and hate knowing? Why should his reply have such exaggerated power? And it does. He does not know that what he says will affect the way she feels when they next make love. She is angry for a number of good reasons that may have nothing to do with this particular man's intentions. The exchange reminds her that, in spite of a whole fabric of carefully woven equalities, they are not equal in this way that is so crucial that its snagged thread unravels the rest."
"No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society."
"Women are not wrong if they react instinctively " often jealously " against their partner's interest in porn, since pornography is actually, neurologically, a woman's destructive rival for her man's sexual capabilities."
"I argue that we deserve the choice to do whatever we want with our faces and bodies without being punished by an ideology that is using attitudes economic pressure and even legal judgments regarding women's appearance to undermine us psychologically and politically."
"Here's what we're not taught [about the Declaration and Constitution]: Those words at the time they were written were blazingly, electrifyingly subversive. If you understand them truly now, they still are. You are not taught - and it is a disgrace that you aren't - that these men and women were radicals for liberty; that they had a vision of equality that was a slap in the face of what the rest of their world understood to be the unchanging, God-given order of nations; and that they were willing to die to make that desperate vision into a reality for people like us, whom they would never live to see."
"Beauty' and sexuality are both commonly misunderstood as some transcendent inevitable fact; falsely interlocking the two makes it seem doubly true that a woman must be 'beautiful' to be sexual. That of course is not true at all. The definitions of both 'beautiful' and 'sexual' constantly change to serve the social order, and the connection between the two is a recent invention."
"Young women today feel vulnerable to judgment; if a harsh sentence is passed (or even suspected or projected), it is not her reputation that suffers so much as the stability of her moral universe. They did not have long to explore the sexual revolution and make it their own. Before the old chains had grown cold, while young women were still rubbing the circulation back into their ankles and taking tentative steps forward, the beauty industries levied a heavy toll on further investigations, and beauty pornography offered them designer bondage."
"Some women have become far too proscriptive of other women's pleasures and private arrangements, and the definition of feminism has become ideologically overloaded."
"The last thing the consumer index wants men and women to do is to figure out how to love one another: The $1.5 trillion retail-sales industry depends on sexual estrangement between men and women, and is fueled by sexual dissatisfaction. Ads do not sell sex--that would be counterproductive, if it meant that heterosexual women and men turned to one another and were gratified. What they sell is sexual discontent."
"The beauty myth is always actually prescribing behaviour and not appearance."
"She wins who calls herself beautiful and challenges the world to change to truly see her."
"Modern cosmetic surgeons have a direct financial interest in a social role for women that requires them to feel ugly. They do not simply advertise for a share of a market that already exists: Their advertisements create new markets. It is a boom industry because it is influentially placed to create its own demand through the pairing of text with ads in women's magazines. The industry takes out ads and gets coverage; women get cut open. They pay their money and they takes their chances. As surgeons grow richer, they are able to command larger and brighter ad spaces."
"We need to insist on making culture out of our desire: making paintings, novels, plays and films potent and seductive and authentic enough to undermine and overwhelm the Iron Maiden."
"A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male 'ideal' from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first."
"When [beauty pornography is] aimed at men, its effect is to keep them from finding peace in sexual love. The fleeting chimera of the airbrushed centerfold, always receding before him, keeps the man destabilized in pursuit, unable to focus on the beauty of the woman--known, marked, lined, familiar--who hands him the paper every morning."
"Rape and sexual assault ... should be understood not just as a form of forced sex, they should also be understood as as a form of injury to the brain and body, and even as a variant of castration."
"Women who love themselves are threatening; but men who love real women, more so."
"If women cannot eat the same food as men, we cannot experience equal status in the community."
"Camille Paglia is: 'the nipple-pierced person's Phyllis Schlafly who poses as a sexual renegade but is in fact the most dutiful of patriarchal daughters."
"Women are mere 'beauties' in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while 'beauty' is generic, boring, and inert. While culture works out moral dilemmas, 'beauty' is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence--but it is not a moral act. From the 'beauties' in male culture, women learn a bitter amoral lesson--that the moral lessons of their culture exclude them."
"Many of the signals that either stoke or diminish female desire have to do with the female brain's question: Is it safe here?"
"Is the beauty myth good to men? It hurts them by teaching them how to avoid loving women. It prevents men from actually seeing women. It does not, contrary to its own professed ideology, stimulate and gratify sexual longing. In suggesting a vision in place of a woman, it has a numbing effect, reducing all senses but the visual, and impairing even that."
"In drawing attention to the physical characteristics of women leaders, they can be dismissed as either too pretty or too ugly. The net effect is to prevent women's identification with the issues. If the public women is stigmatized as too 'pretty,' she's a threat, a rival--or simply not serious; if derided as too 'ugly,' one risks tarring oneself with the same brush by identifying oneself with her agenda."
"Beauty discrimination has become necessary, not from the perception that women will not be good enough, but that they will be, as they have been, twice as good."
"Cosmetic surgery is not 'cosmetic,' and human flesh is not 'plastic.' Even the names trivialize what it is. It's not like ironing wrinkles in fabric, or tuning up a car, or altering outmoded clothes, the current metaphors. Trivialization and infantilization pervade the surgeons' language when they speak to women: 'a nip,' a 'tummy tuck.'...Surgery changes one forever, the mind as well as the body. If we don't start to speak of it as serious, the millennium of the man-made woman will be upon us, and we will have had no choice."
"In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'"
"The idea that women are innately gentle is a fantasy, and a historically recent one. Kali, the Hindu goddess of destruction, is depicted as wreathed in male human skulls; the cruel entertainments of the Romans drew audiences as female as they were male; Boudicca led her British troops bloodily into battle."
"Dissident Natan Sharansky writes that there are two kinds of states -- 'fear societies' and 'free societies,' two kinds of consciousness. The consciousness derived of oppression is despairing, fatalistic, and fearful of inquiry. It is mistrustful of the self and forced to trust external authority. It is premised on a dearth of self-respect. It is cramped.In contrast, the consciousness of freedom is one of expansiveness, trust of the self, and hope. It is a consciousness of limitless inquiry. It builds up in a citizen a wealth of self-respect."
"Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles...In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma...The number of diet-related articles rose 70 percent from 1968 to 1972...The lucrative 'transfer of guilt' was resurrected just in time."
"I am delighted to be joining 'Guardian U.S.'s team as a weekly columnist, and to have the chance to address American and global current events on its distinguished platform. 'Guardian U.S.' brings the 'Guardian's hard-hitting investigative brand to a new focus on American news and opinion."