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"In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'"
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"Nothing can now be believed which is seen in a newspaper. Truth itself becomes suspicious by being put into that polluted vehicle."

"When the New York Times scratches its head, get ready for total baldness as you tear out your hair."

"In journalism just one fact that is false prejudices the entire work. In contrast, in fiction one single fact that is true gives legitimacy to the entire work. That's the only difference, and it lies in the commitment of the writer. A novelist can do anything he wants so long as he makes people believe in it."

"Pro-government press is not a press it is just a lie-generating ugly machine; it is a guard dog, guarding only the official thieves, not the public!"

"The internet has become a carefully controlled and heavily monitored illusion. It has turned into both a circus and battleground. Popularity is rigged and can be bought. Censorship is in full effect. Popular opinion is fabricated, and the perception of a viewpoint's popularity is typically orchestrated and manipulated by legions of paid trolls. If you want to know the truth about somebody's true popularity and influence, look to the streets. If you want to know if a person is really guilty or innocent, study the facts yourself. Never judge anybody based on what you see or read on the internet. Information can easily be manipulated by the push of a few buttons."

"Sensationalism dies quickly, fear is long-lived."

"If you interviewed 1,000 politicians and asked about whether the media's too soft or too hard, about 999 would say too hard."

"Madison Avenue is a very powerful aggression against private consciousness. A demand that you yield your private consciousness to public manipulation."
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"Western women have been controlled by ideals and stereotypes as much as by material constraints."

"After we were hit on September 11, 2001, we were in a state of national shock. Less than six weeks later, on October 26 2001, the U.S.A. Patriot Act was passed by a Congress that had little chance to debate it; many said that they scarcely had time to read it."

"The Rites of Beauty also seduce women by meeting their current hunger for color and poetry. As they make their way into male public space that is often prosaic and emotionally dead, beauty's sacraments glow brighter than ever. As women are inundated with claims on their time, ritual products give them an alibi to take some private time for themselves. At their best they give women back a taste of mystery and sensuality to compensate them for their days spent in the harsh light of the workplace."

"The ideology of beauty has grown strong to take over the work of social coercion that myths about motherhood, domesticity, chastity, and passivity, no longer can manage. It is seeking right now to undo psychologically and covertly all the good things that feminism did for women materially and overtly."

"Only God, my dear, wrote Yeats blithely, 'Could love you for yourself alone/And not your yellow hair. This quote is meant as a bit of lighthearted verse. But it is an epic tragedy in three lines."

"What becomes of a man who acquires a beautiful woman, with her 'beauty' his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying something: the esteem of other men who find such an acquisition impressive."

"To live in a culture in which women are routinely naked where men aren't is to learn inequality in little ways all day long. So even if we agree that sexual imagery is in fact a language, it is clearly one that is already heavily edited to protect men's sexual--and hence social--confidence while undermining that of women."

"Peaceful, lawful protest - if it is effective - is innately disruptive of 'business as usual.' That is why it is effective."

"As soon as a woman's primary social value could no longer be defined as the attainment of virtuous domesticity, the beauty myth redefined it as the attainment of virtuous beauty. It did so to substitute both a new consumer imperative and a new justification for economic unfairness in the workplace where the old ones had lost their hold over newly liberated women."
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