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Mary Oliver was an American poet whose works captured the natural world in profound, accessible language. Her poetry, deeply connected to nature and human experiences, inspired countless individuals to find solace, clarity, and wisdom in the natural world. Oliver's commitment to exploring themes of life, death, and our connection to the environment encourages others to slow down, pay attention, and appreciate the beauty that surrounds us. Her legacy lives on through her heartfelt words that continue to inspire self-reflection and environmental awareness.
"Sometimes I dreamthat everything in the world is here, in my room, in a great closet, named and orderly,and I am here too, in front of it, hardly able to see for the flash and the brightness-and sometimes I am that madcap person clapping my hands and singing; and sometimes I am that quiet person down on my knees."
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"Sometimes I dreamthat everything in the world is here, in my room, in a great closet, named and orderly,and I am here too, in front of it, hardly able to see for the flash and the brightness-and sometimes I am that madcap person clapping my hands and singing; and sometimes I am that quiet person down on my knees."

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"Tell me, what is it you plan to do with your one wild and precious life?"
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"Tell me, what is it you plan to do with your one wild and precious life?"

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"I know many lives worth living."
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"I know many lives worth living."

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"How perfect to be aboard a ship withmaybe a hundred years still in my pocket.But it's late, for all of us,and in truth the only ship there isis the ship we are all onburning the world as we go."
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"How perfect to be aboard a ship withmaybe a hundred years still in my pocket.But it's late, for all of us,and in truth the only ship there isis the ship we are all onburning the world as we go."

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"I simply do not distinguish between work and play."
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"I simply do not distinguish between work and play."

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"Why I Wake Early Hello, sun in my face.Hello, you who made the morningand spread it over the fieldsand into the faces of the tulipsand the nodding morning glories,and into the windows of, even, themiserable and the crotchety " best preacher that ever was,dear star, that just happensto be where you are in the universeto keep us from ever-darkness,to ease us with warm touching,to hold us in the great hands of light "good morning, good morning, good morning.Watch, now, how I start the dayin happiness, in kindness."
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"Why I Wake Early Hello, sun in my face.Hello, you who made the morningand spread it over the fieldsand into the faces of the tulipsand the nodding morning glories,and into the windows of, even, themiserable and the crotchety " best preacher that ever was,dear star, that just happensto be where you are in the universeto keep us from ever-darkness,to ease us with warm touching,to hold us in the great hands of light "good morning, good morning, good morning.Watch, now, how I start the dayin happiness, in kindness."

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"I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know,whoever I was, I wasalive for a little while."
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"I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know,whoever I was, I wasalive for a little while."

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"I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think-no, you will realize-that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying."
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"I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think-no, you will realize-that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying."

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"No, I mean really listen. Here's a story, and you don't have to visit manyhouses to find it. One person is talking,the other one is not really listening.someone can look like they are but they'reactually thinking about something they want to say, or their minds are justwandering. Or they're looking at thatlittle box people hold in their hands thesedays. And people get discouraged, so theyquit trying. And the very quiet people,you may have noticed, are often the sadpeople."
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"No, I mean really listen. Here's a story, and you don't have to visit manyhouses to find it. One person is talking,the other one is not really listening.someone can look like they are but they'reactually thinking about something they want to say, or their minds are justwandering. Or they're looking at thatlittle box people hold in their hands thesedays. And people get discouraged, so theyquit trying. And the very quiet people,you may have noticed, are often the sadpeople."

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"This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass,the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you."
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"This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass,the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you."

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"When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms."
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"When it's over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms."

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"Winter walks up and down the town swinging his censer, but no smoke or sweetness comes from it, only the sour, metallic frankness of salt and snow."
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"Winter walks up and down the town swinging his censer, but no smoke or sweetness comes from it, only the sour, metallic frankness of salt and snow."

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"Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together."
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"Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together."

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"And now you'll be telling storiesof my coming backand they won't be false, and they won't be truebut they'll be real."
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"And now you'll be telling storiesof my coming backand they won't be false, and they won't be truebut they'll be real."

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"Though I play at the edges of knowing, truly I know our part is not knowing, but looking, and touching, and loving."
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"Though I play at the edges of knowing, truly I know our part is not knowing, but looking, and touching, and loving."

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"There are things you can't reach. ButYou can reach out to them, and all day long.The wind, the bird flying away. The idea of god.And it can keep you busy as anything else, and happier.I look; morning to night I am never done with looking.Looking I mean not just standing around, but standing aroundAs though with your arms open."
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"There are things you can't reach. ButYou can reach out to them, and all day long.The wind, the bird flying away. The idea of god.And it can keep you busy as anything else, and happier.I look; morning to night I am never done with looking.Looking I mean not just standing around, but standing aroundAs though with your arms open."

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"You must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life."
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"You must not ever stop being whimsical. And you must not, ever, give anyone else the responsibility for your life."

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"I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing."
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"I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing."

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"The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon's perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon."
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"The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon's perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon."

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"After a cruel childhood, one must reinvent oneself. Then reimagine the world."
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"After a cruel childhood, one must reinvent oneself. Then reimagine the world."

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"Animals praise a good day, a good hunt. They praise rain if they're thirsty. That's prayer. They don't live an unconscious life, they simply have no language to talk about these things. But they are grateful for the good things that come along."
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"Animals praise a good day, a good hunt. They praise rain if they're thirsty. That's prayer. They don't live an unconscious life, they simply have no language to talk about these things. But they are grateful for the good things that come along."

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"Oh Lord of melons, of mercy, though I am not ready, nor worthy, I am climbing towards you."
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"Oh Lord of melons, of mercy, though I am not ready, nor worthy, I am climbing towards you."

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"We all have a hungry heart, and one of the things we hunger for is happiness. So as much as I possibly could, I stayed where I was happy. I spent a great deal of time in my younger years just writing and reading, walking around the woods in Ohio, where I grew up."
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"We all have a hungry heart, and one of the things we hunger for is happiness. So as much as I possibly could, I stayed where I was happy. I spent a great deal of time in my younger years just writing and reading, walking around the woods in Ohio, where I grew up."

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"Sometimes breaking the rules is just extending the rules."
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"Sometimes breaking the rules is just extending the rules."

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"How heron comesIt is a negligence of the mindnot to notice how at duskheron comes to the pond andstands there in his death robes, perfectservant of the system, hungry, his eyesfull of attention, his wingspure light."
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"How heron comesIt is a negligence of the mindnot to notice how at duskheron comes to the pond andstands there in his death robes, perfectservant of the system, hungry, his eyesfull of attention, his wingspure light."

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"EVERY DOG'S STORYI have a bed, my very own.It's just my size.And sometimes I like to sleep alonewith dreams inside my eyes.But sometimes dreams are dark and wild and creepyand I wake and am afraid, though I don't know why.But I'm no longer sleepyand too slowly the hours go by.So I climb on the bed where the light of the moonis shining on your faceand I know it will be morning soon.Everybody needs a safe place."
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"EVERY DOG'S STORYI have a bed, my very own.It's just my size.And sometimes I like to sleep alonewith dreams inside my eyes.But sometimes dreams are dark and wild and creepyand I wake and am afraid, though I don't know why.But I'm no longer sleepyand too slowly the hours go by.So I climb on the bed where the light of the moonis shining on your faceand I know it will be morning soon.Everybody needs a safe place."

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"So come to the pond, or the river of your imagination, or the harbor of your longing,and put your lips to the world.And live your life."
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"So come to the pond, or the river of your imagination, or the harbor of your longing,and put your lips to the world.And live your life."

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"My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work."
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"My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work."

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"Athletes take care of their bodies. Writers must similarly take care of the sensibility that houses the possibility of poems. There is nourishment in books, other art, history, philosophies-in holiness and in mirth. It is in honest hands-on labor also; I don't mean to indicatea preference for the scholarly life. And it is in the green world-among people, and animals, and trees for that matter, if one genuinely cares about trees."
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"Athletes take care of their bodies. Writers must similarly take care of the sensibility that houses the possibility of poems. There is nourishment in books, other art, history, philosophies-in holiness and in mirth. It is in honest hands-on labor also; I don't mean to indicatea preference for the scholarly life. And it is in the green world-among people, and animals, and trees for that matter, if one genuinely cares about trees."

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"Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?"
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"Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?"

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"To interrupt the writer from the line of thought is to wake the dreamer from the dream. The dreamer cannot enter that dream, precisely as it was unfolding, ever again."
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"To interrupt the writer from the line of thought is to wake the dreamer from the dream. The dreamer cannot enter that dream, precisely as it was unfolding, ever again."

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"It does no good to bark at the television,I said. I've tried it too. So he stopped."
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"It does no good to bark at the television,I said. I've tried it too. So he stopped."

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"One thing I do know is that poetry, to be understood, must be clear."
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"One thing I do know is that poetry, to be understood, must be clear."

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"I have a notebook with me all the time, and I begin scribbling a few words. When things are going well, the walk does not get anywhere; I finally just stop and write."
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"I have a notebook with me all the time, and I begin scribbling a few words. When things are going well, the walk does not get anywhere; I finally just stop and write."

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"Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it."
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"Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it."

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"Writers sometimes give up what is most strange and wonderful about their writing - soften their roughest edges - to accommodate themselves toward a group response."
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"Writers sometimes give up what is most strange and wonderful about their writing - soften their roughest edges - to accommodate themselves toward a group response."

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"Why should I have been surprised?Hunters walk the forestwithout a sound.The hunter, strapped to his rifle,the fox on his feet of silk,the serpent on his empire of muscles-all move in a stillness,hungry, careful, intent.Just as the cancerentered the forest of my body,without a sound."
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"Why should I have been surprised?Hunters walk the forestwithout a sound.The hunter, strapped to his rifle,the fox on his feet of silk,the serpent on his empire of muscles-all move in a stillness,hungry, careful, intent.Just as the cancerentered the forest of my body,without a sound."

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"I was very careful never to take an interesting job. If you have an interesting job, you get interested in it."
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"I was very careful never to take an interesting job. If you have an interesting job, you get interested in it."

Job,
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"On the beach, at dawn:Four small stones clearlyHugging each other.How many kinds of loveMight there be in the world,And how many formations might they makeAnd who am I everTo imagine I could knowSuch a marvelous business?When the sun brokeIt poured willingly its lightOver the stonesThat did not move, not at all,Just as, to its always generous term,It shed its light on me,My own body that loves, Equally, to hug another body."
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"On the beach, at dawn:Four small stones clearlyHugging each other.How many kinds of loveMight there be in the world,And how many formations might they makeAnd who am I everTo imagine I could knowSuch a marvelous business?When the sun brokeIt poured willingly its lightOver the stonesThat did not move, not at all,Just as, to its always generous term,It shed its light on me,My own body that loves, Equally, to hug another body."

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