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"Myths can't be translated as they did in their ancient soil. We can only find our own meaning in our own time."
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"Myths can't be translated as they did in their ancient soil. We can only find our own meaning in our own time."

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"The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history."
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"The heart with letters on it shining like a light bulb through the trim hole painted in the chest, art history."

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"Money isn't the only thing that must flow and circulate in order to have good value: good turns and gifts must flow and circulate . . . for any social system to remain in balance."
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"Money isn't the only thing that must flow and circulate in order to have good value: good turns and gifts must flow and circulate . . . for any social system to remain in balance."

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"Then there's the twoof us. This wordis far too short for us, it has onlyfour letters, too sparseto fill those deep barevacuums between the starsthat press on us with their deafness.It's not love we don't wishto fall into, but that fear.This word is not enough but it willhave to do. It's a singlevowel in this metallicsilence, a mouth that saysO again and again in wonderand pain, a breath, a fingergrip on a cliffside. You canhold on or let go."
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"Then there's the twoof us. This wordis far too short for us, it has onlyfour letters, too sparseto fill those deep barevacuums between the starsthat press on us with their deafness.It's not love we don't wishto fall into, but that fear.This word is not enough but it willhave to do. It's a singlevowel in this metallicsilence, a mouth that saysO again and again in wonderand pain, a breath, a fingergrip on a cliffside. You canhold on or let go."

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"How easy it is to invent a humanity, for anyone at all."
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"How easy it is to invent a humanity, for anyone at all."

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"We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us-who've left us holding the bag, which is often a good deal emptier than we'd supposed."
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"We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us-who've left us holding the bag, which is often a good deal emptier than we'd supposed."

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"To have them putting him on, trying him on, trying him out while he himself puts them on like a sock over a foot onto the stub of himself-his extra sensitive thumb, his tentacle, his delicate, stalked slug's eye which extrudes, expands, winces and shrivels back into himself when touched wrongly, grows big again. Bulging a little at the tip, traveling forward as if along a leaf into them, avid for vision. To achieve vision in this way; this journey into a darkness that is composed of women-a woman-who can see in darkness while he himself strains blindly forward."
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"To have them putting him on, trying him on, trying him out while he himself puts them on like a sock over a foot onto the stub of himself-his extra sensitive thumb, his tentacle, his delicate, stalked slug's eye which extrudes, expands, winces and shrivels back into himself when touched wrongly, grows big again. Bulging a little at the tip, traveling forward as if along a leaf into them, avid for vision. To achieve vision in this way; this journey into a darkness that is composed of women-a woman-who can see in darkness while he himself strains blindly forward."

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"I hate to tell you this, but you will never actually go to a galaxy far, far away and encounter Darth Vader. That's science fiction; it isn't going to happen."
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"I hate to tell you this, but you will never actually go to a galaxy far, far away and encounter Darth Vader. That's science fiction; it isn't going to happen."

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"Don't let the bastards grind you down."
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"Don't let the bastards grind you down."

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"It disturbs me that he can remember some of these things about himself, but not others; that the things he's lost or misplaced exist now only for me. If he's forgotten so much, what have I forgotten?"
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"It disturbs me that he can remember some of these things about himself, but not others; that the things he's lost or misplaced exist now only for me. If he's forgotten so much, what have I forgotten?"

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"He keeps his voice kindly but remote. A cross between a pedagogue, soothsayer, and a benevolent uncle - that should be his tone."
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"He keeps his voice kindly but remote. A cross between a pedagogue, soothsayer, and a benevolent uncle - that should be his tone."

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"Suddenly revenge is so close he can actually taste it. It tastes like steak, rare."
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"Suddenly revenge is so close he can actually taste it. It tastes like steak, rare."

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"Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother things was merely cute may have been lethal."
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"Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother things was merely cute may have been lethal."

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"Everything I'd been longing to get away from, true, but not through destruction. I'd wanted to leave home, but have it stay in place, waiting for me, unchanged, so I could step back into it at will."
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"Everything I'd been longing to get away from, true, but not through destruction. I'd wanted to leave home, but have it stay in place, waiting for me, unchanged, so I could step back into it at will."

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"You're sad because you're sad.It's psychic. It's the age. It's chemical.Go see a shrink or take a pill,or hug your sadness like an eyeless dollyou need to sleep.Well, all children are sadbut some get over it.Count your blessings. Better than that,buy a hat. Buy a coat or a pet.Take up dancing to forget."
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"You're sad because you're sad.It's psychic. It's the age. It's chemical.Go see a shrink or take a pill,or hug your sadness like an eyeless dollyou need to sleep.Well, all children are sadbut some get over it.Count your blessings. Better than that,buy a hat. Buy a coat or a pet.Take up dancing to forget."

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"The past isn't quaint while you're in it. Only at a safe distance, later, when you can see it as dA©cor, not as the shape your life's been squeezed into."
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"The past isn't quaint while you're in it. Only at a safe distance, later, when you can see it as dA©cor, not as the shape your life's been squeezed into."

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"Lambhood and tigerishness may be found in either gender, and in the same individual at different times."
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"Lambhood and tigerishness may be found in either gender, and in the same individual at different times."

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"Maybe none of this is about control. Maybe it really isn't about who can own whom, who can do what to whom and get away with it, even as far as death. Maybe it isn't about who can sit and who has to kneel or stand or lie down, legs spread open. Maybe it's about who can do what to whom and be forgiven for it. Never tell me it amounts to the same thing."
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"Maybe none of this is about control. Maybe it really isn't about who can own whom, who can do what to whom and get away with it, even as far as death. Maybe it isn't about who can sit and who has to kneel or stand or lie down, legs spread open. Maybe it's about who can do what to whom and be forgiven for it. Never tell me it amounts to the same thing."

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"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."
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"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."

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"Time in dreams is frozen. You can never get away from where you've been."
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"Time in dreams is frozen. You can never get away from where you've been."

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"She looks like a very young old person, or a very old young person; but then, she's looked that way ever since she was two."
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"She looks like a very young old person, or a very old young person; but then, she's looked that way ever since she was two."

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"But who can remember pain, once it's over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind."
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"But who can remember pain, once it's over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind."

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"Time is not a line but a dimension, like the dimensions of space. If you can bend space you can bend time also, and if you knew enough and could move faster than light you could travel backward in tie and exist in two places at once."
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"Time is not a line but a dimension, like the dimensions of space. If you can bend space you can bend time also, and if you knew enough and could move faster than light you could travel backward in tie and exist in two places at once."

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"I'm not senile," I snapped. "If I burn the house down it will be on purpose."
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"I'm not senile," I snapped. "If I burn the house down it will be on purpose."

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"More powerful than God, more evil than the Devil; the poor have it, the rich lack it, and if you eat it you die?"
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"More powerful than God, more evil than the Devil; the poor have it, the rich lack it, and if you eat it you die?"

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"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."
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"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."

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"Is there no end to his diguises of benevolence?"
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"Is there no end to his diguises of benevolence?"

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"If someone wants to suck your toes, those toes should be worth sucking."
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"If someone wants to suck your toes, those toes should be worth sucking."

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"Lilies used to be a movie theatre, before. Students went there a lot; every spring they had a Humphrey Bogart festival, with Lauren Bacall or Katherine Hepburn, women on their own, making up their minds. They wore blouses with buttons down the front that suggested the possibilities of the word 'undone'. These women could not be undone; or not. They seemed to be able to choose."
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"Lilies used to be a movie theatre, before. Students went there a lot; every spring they had a Humphrey Bogart festival, with Lauren Bacall or Katherine Hepburn, women on their own, making up their minds. They wore blouses with buttons down the front that suggested the possibilities of the word 'undone'. These women could not be undone; or not. They seemed to be able to choose."

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"If your not annoying somebody, you're not alive."
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"If your not annoying somebody, you're not alive."

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"There is never only one, of anyone."
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"There is never only one, of anyone."

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"He is talking to people in Toronto, trying to find out if I am guilty; but he won't find it out that way. He doesn't understand yet that guilt comes to you not from the things you've done, but from the things that other have done for you."
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"He is talking to people in Toronto, trying to find out if I am guilty; but he won't find it out that way. He doesn't understand yet that guilt comes to you not from the things you've done, but from the things that other have done for you."

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"At some indeterminate point in their life cycles, they cause themselves to be placed in artificial stone or wooden cocoons, or chrysalises. They have an idea that they will someday emerge from these in an altered state, which they symbolize with carvings of themselves with wings. However, we did not observe that any had actually done so."
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"At some indeterminate point in their life cycles, they cause themselves to be placed in artificial stone or wooden cocoons, or chrysalises. They have an idea that they will someday emerge from these in an altered state, which they symbolize with carvings of themselves with wings. However, we did not observe that any had actually done so."

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"This murdered girl troubles me. After the first shock, nobody at school says much about her. Even Cordelia does not want to talk about her. It's as if this girl has done something shameful, herself, by being murdered."
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"This murdered girl troubles me. After the first shock, nobody at school says much about her. Even Cordelia does not want to talk about her. It's as if this girl has done something shameful, herself, by being murdered."

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"When we think of the past it's the beautiful things we pick out. We want to believe it was all like that."
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"When we think of the past it's the beautiful things we pick out. We want to believe it was all like that."

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"The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep."
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"The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep."

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"Time rises and rises, and when it reaches the level of your eyes you drown."
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"Time rises and rises, and when it reaches the level of your eyes you drown."

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"When you're young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You're your own speeding car. You think you can get rid of things, and people too-leave them behind. You don't yet know about the habit they have, of coming back.Time in dreams is frozen. You can never get away from where you've been."
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"When you're young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You're your own speeding car. You think you can get rid of things, and people too-leave them behind. You don't yet know about the habit they have, of coming back.Time in dreams is frozen. You can never get away from where you've been."

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"Every Canadian has a complicated relationship with the United States, whereas Americans think of Canada as the place where the weather comes from."
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"Every Canadian has a complicated relationship with the United States, whereas Americans think of Canada as the place where the weather comes from."

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"I was tired of her getting away with being so young."
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"I was tired of her getting away with being so young."

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"And the vampires. You used to know where you stood with them - smelly, evil, undead - but now there are virtuous vampires and disreputable vampires, and sexy vampires and glittery vampires, and none of the old rules about them are true any more. Once you could depend on garlic, and on the rising sun, and on crucifixes. You could get rid of the vampires once and for all. But not any more."
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"And the vampires. You used to know where you stood with them - smelly, evil, undead - but now there are virtuous vampires and disreputable vampires, and sexy vampires and glittery vampires, and none of the old rules about them are true any more. Once you could depend on garlic, and on the rising sun, and on crucifixes. You could get rid of the vampires once and for all. But not any more."

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"Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know.The Fall was a fall from innocence to knowledge."
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"Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know.The Fall was a fall from innocence to knowledge."

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"I keep on going with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it.By telling you anything at all I'm at least believing in you. Because I'm telling you this story I will your existence. I tell, therefore you are."
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"I keep on going with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it.By telling you anything at all I'm at least believing in you. Because I'm telling you this story I will your existence. I tell, therefore you are."

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"The young habitually mistake lust for love, they're infested with idealism of all kinds."
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"The young habitually mistake lust for love, they're infested with idealism of all kinds."

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"She writes like an angel, it says of Laura on the back of one of the editions of The Blind Assassin. An American edition, as I recall, with gold scrollwork on the cover: they set a lot of store by angels in those parts. In point of fact angels don't write much. They record sins and the names of the dammed and the saved, or they appear as disembodied hands and scribble warnings on walls. Or they deliver messages, few of which are good news: God be with you is not an unmixed blessing."
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"She writes like an angel, it says of Laura on the back of one of the editions of The Blind Assassin. An American edition, as I recall, with gold scrollwork on the cover: they set a lot of store by angels in those parts. In point of fact angels don't write much. They record sins and the names of the dammed and the saved, or they appear as disembodied hands and scribble warnings on walls. Or they deliver messages, few of which are good news: God be with you is not an unmixed blessing."

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"We may call Eurydice forth from the world of the dead, but we cannot make her answer; and when we turn to look at her we glimpse her only for a moment, before she slips from our grasp and flees. As all historians know, the past is a great darkness, and filled with echoes. Voices may reach us from it; but what they say to us is imbued with the obscurity of the matrix out of which they come; and, try as we may, we cannot always decipher them precisely in the clearer light of our own day."
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"We may call Eurydice forth from the world of the dead, but we cannot make her answer; and when we turn to look at her we glimpse her only for a moment, before she slips from our grasp and flees. As all historians know, the past is a great darkness, and filled with echoes. Voices may reach us from it; but what they say to us is imbued with the obscurity of the matrix out of which they come; and, try as we may, we cannot always decipher them precisely in the clearer light of our own day."

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"She wasn't stupid. She just didn't want to put her neuron power into long sentences."
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"She wasn't stupid. She just didn't want to put her neuron power into long sentences."

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"You can't change the past,Aunt Lou used to say.Oh, but I wanted to;that was the one thing I really wanted to do."
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"You can't change the past,Aunt Lou used to say.Oh, but I wanted to;that was the one thing I really wanted to do."

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"Am I shallow? she asks the mirror. Yes, I am shallow. The sun shines on the ripples where it's shallow. Deep is too dark."
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"Am I shallow? she asks the mirror. Yes, I am shallow. The sun shines on the ripples where it's shallow. Deep is too dark."

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"A truth should exist,it should not be usedlike this. If I love youis that a fact or a weapon?"
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"A truth should exist,it should not be usedlike this. If I love youis that a fact or a weapon?"

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