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Margaret Atwood

"At some indeterminate point in their life cycles, they cause themselves to be placed in artificial stone or wooden cocoons, or chrysalises. They have an idea that they will someday emerge from these in an altered state, which they symbolize with carvings of themselves with wings. However, we did not observe that any had actually done so."

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"At some indeterminate point in their life cycles, they cause themselves to be placed in artificial stone or wooden cocoons, or chrysalises. They have an idea that they will someday emerge from these in an altered state, which they symbolize with carvings of themselves with wings. However, we did not observe that any had actually done so."

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Amber Hurdle

"Our mouths and bodies speak for us in a new language as the trees shake loose a rain of petals that stick to our slickness like skins we will wear forever. And just like that, I am changed."

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Amber Hurdle

"It was his self-esteem she had sought to destroy, knowing that a man who surrenders his value is at the mercy of anyone's will; it was his moral purity she had struggled to breach, it was his confident rectitude she had wanted to shatter by means of the poison of guilt-as if, were he to collapse, his depravity would give her a right to hers."

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Amber Hurdle

"I'm sorry you lost the suit,' he said.She shrugged.'At this point, it was mostly a metaphor anyway,' she said..."

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Amber Hurdle

"There certainly was some great mismanagement in the education of those two young men. One has got all the goodness, and the other all the appearance of it."

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Amber Hurdle

"Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action."

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Amber Hurdle

"A car with a small hole in its fuel tank unattended to shall see its fuel draining little by little and it shall only be left in the middle of a long journey! So is life! Mind the small things!"

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Amber Hurdle

"Do not free a camel of the burden of his hump, you may be freeing him from being a camel."

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Amber Hurdle

"There are people among us who are biologically human but who are androids in the metaphoric sense."

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Amber Hurdle

"Just because something is a metaphor doesn't mean it can't be real."

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Amber Hurdle

"Poetry isn't an island, it is the bridge. Poetry isn't a ship, it is the lifeboat. Poetry isn't swimming. Poetry is water."

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Margaret Atwood
"If your not annoying somebody, you're not alive."
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Margaret Atwood
"And then she began to cry, and when I asked her why she was doing that, she said it was because I was to have a happy ending, and it was just like a book; and I wondered what books she'd been reading."
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Margaret Atwood
"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."
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Margaret Atwood
"All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard."
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Margaret Atwood
"Men and women tried each other on, casually, like suits, rejecting whatever did not fit."
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Margaret Atwood
"Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn't as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor - people did do that quite a bit; usually men, but not always - or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down."
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Margaret Atwood
"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."
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Margaret Atwood
"I sink down into my body as into a swamp, fenland, where only I know the footing. I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black."
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Margaret Atwood
"In the old days, trouble was kept in the family, which is still the best place for it, not that there's ever a best place for trouble. Why stir everything up again after that many years, with all concerned tucked, like tired children, so neatly into their graves?"
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Margaret Atwood
"Falling in love, although it resulted in altered body chemistry and was therefore real, was a hormonally induced delusional state, according to him. In addition it was humiliating, because it put you at a disadvantage, it gave the love object too much power. As for sex per se, it lacked both challenge and novelty, and was on the whole a deeply imperfect solution to the problem of intergenerational genetic transfer."
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