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Margaret Atwood

"Lambhood and tigerishness may be found in either gender, and in the same individual at different times."

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"Lambhood and tigerishness may be found in either gender, and in the same individual at different times."

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Amber Hurdle

"But was the woman's death the tragedy, or her life?"

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Amber Hurdle

"She was the most beautiful thing I had ever seen, a tiny, bloody angel in the snow, and they were going to destroy her."

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Amber Hurdle

"Alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul,and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds.flesh covers the bone and the flesh searches for more than flesh.there's no chance at all:we are all trapped by a singular fate.nobody ever finds the one.the city dumps fill the junkyards fill the mad houses fill the hospitals fill the graveyards fill nothing else fills."

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Amber Hurdle

"The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings."

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Amber Hurdle

"It's a lie, but it's the lie he needs. I'm going to hell."

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Amber Hurdle

"But what was there to say?Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief.Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."

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Amber Hurdle

"Often it is the most deserving people who cannot help loving those who destroy them."

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Amber Hurdle

"Every time you go to see Hamlet you don't expect it to have a happy ending...you're still enthralled. (Interview BBC Radio 4 Today 17 October 2012.)"

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Amber Hurdle

"The transience of humanity frames the tragedy of all people. There are no happy conclusions to life, we all die, and until we die, we will experience both happiness and pain. Acceptance of the tragedy of humankind without remorse is a shattering experience; it enables us to relinquish mawkish misconceptions, destructive obsessions, and crippling attachments. Only by accepting the tragedy of life as an integral part of the incandescent beauty of life, will I understand what it means to rejoice in the indelible bloom of life."

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Amber Hurdle

"Walk the midway and hear the carnival barker.Come see the freak named after his deceased father.Come see the prince who wants to abdicate his throne.Come see the son whose name is carved on a gravestone."

Explore more quotes by Margaret Atwood

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Margaret Atwood
"If your not annoying somebody, you're not alive."
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Margaret Atwood
"And then she began to cry, and when I asked her why she was doing that, she said it was because I was to have a happy ending, and it was just like a book; and I wondered what books she'd been reading."
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Margaret Atwood
"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."
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Margaret Atwood
"All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard."
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Margaret Atwood
"Men and women tried each other on, casually, like suits, rejecting whatever did not fit."
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Margaret Atwood
"Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn't as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor - people did do that quite a bit; usually men, but not always - or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down."
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Margaret Atwood
"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."
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Margaret Atwood
"I sink down into my body as into a swamp, fenland, where only I know the footing. I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black."
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Margaret Atwood
"In the old days, trouble was kept in the family, which is still the best place for it, not that there's ever a best place for trouble. Why stir everything up again after that many years, with all concerned tucked, like tired children, so neatly into their graves?"
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Margaret Atwood
"Falling in love, although it resulted in altered body chemistry and was therefore real, was a hormonally induced delusional state, according to him. In addition it was humiliating, because it put you at a disadvantage, it gave the love object too much power. As for sex per se, it lacked both challenge and novelty, and was on the whole a deeply imperfect solution to the problem of intergenerational genetic transfer."
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