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Margaret Atwood

"She writes like an angel, it says of Laura on the back of one of the editions of The Blind Assassin. An American edition, as I recall, with gold scrollwork on the cover: they set a lot of store by angels in those parts. In point of fact angels don't write much. They record sins and the names of the dammed and the saved, or they appear as disembodied hands and scribble warnings on walls. Or they deliver messages, few of which are good news: God be with you is not an unmixed blessing."

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"She writes like an angel, it says of Laura on the back of one of the editions of The Blind Assassin. An American edition, as I recall, with gold scrollwork on the cover: they set a lot of store by angels in those parts. In point of fact angels don't write much. They record sins and the names of the dammed and the saved, or they appear as disembodied hands and scribble warnings on walls. Or they deliver messages, few of which are good news: God be with you is not an unmixed blessing."

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"Lord I thank you for the gift of breath, eyes to see, ears to hear, tongue to taste, nose to smell, mouth to speak, face to smile, voice to sing, body to dance, legs to walk, mind to think and hands to write."

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"Any bridge you refuse to burn gives Satan an invitation and re-entry point into your life."

Explore more quotes by Margaret Atwood

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Margaret Atwood
"All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard."
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Margaret Atwood
"I shouldn't have taken a vow of silence, I told myself. What did I want? Nothing much. Just a memorial. But what is a memorial, when you come right down to it, but a commemoration of wounds endured? Endured, and resented. Without memory, there can be no revenge."
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Margaret Atwood
"Is there no end to his diguises of benevolence?"
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Margaret Atwood
"There is never only one, of anyone."
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Margaret Atwood
"For me the experience of writing is really an experience of losing control. I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go."
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Margaret Atwood
"Better not to invent her in her absence. Better to wait until she's actually here. Then he can make her up as she goes along."
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Margaret Atwood
"We yearned for the future. How did we learn it, that talent for insatiability?"
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Margaret Atwood
"Here the children have a custom. After the celebration of evil they take those vacant heads that shone once with such anguish and glee and throw them over the bridge, watching the smash, orange, as they hit below, We were standing underneath when you told it. People do that with themselves when they are finished, light scooped out. He landed here, you said, marking it with your foot.You wouldn't do it that way, empty, you wouldn't wait, you would jump with the light still in you."
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Margaret Atwood
"A writer's age at the time of a work's composition is never irrelevant."
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Margaret Atwood
"This form of love is like the painof childbirth: so intenseit's hard to remember afterwards."
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