Holly Black is the modern master of contemporary fantasy for young adults, famously co-creating the enchanting Spiderwick Chronicles and authoring the darkly captivating Folk of the Air trilogy. Her groundbreaking work, including the bestselling "The Cruel Prince," brilliantly weaves faerie lore with complex human emotions, redefining the genre for a new generation. Black�s intricate world-building and morally nuanced characters challenge and captivate readers, encouraging them to find cunning and courage within themselves. Her journey inspires aspiring writers to hone their unique voice and build stories that are as clever as they are magical.
"You can break a thing, but you cannot always guide it afterward into the shape you want."
"Our tragedy is that we forget it might be someone else first."
"I'm afraid my voice is going to break. I am afraid she is going to hear how much this hurts."
"I'm sorry,' she said to each of the dead as she unzipped and unfastened their things, 'I'm sorry Courtney. I'm sorry Marcus. I'm sorry Rachel. I'm sorry Jon. I'm sorry I'm alive and you're dead. I'm sorry I was asleep. I'm sorry I didn't save you and now I'm taking your things. I'm sorry. I'm sorry. I'm sorry."
"Dead or not, I have come for his heart and I will have it."
"Remember that I'm still a monster. I can listen to you scream and cry and beg and I still won't let you out."
"When Tana was six, vampires were Muppets, endlessly counting, or cartoon villains in black cloaks with red polyester lining."
"He must have been handsome when he was alive and was handsome still, although made monstrous by his pallor and her awareness of what he was. His mouth looked soft, his cheekbones as sharp as blades, and his jaw curved, giving him an off-kilter beauty. His black hair a mad forest of dirty curls."
"Tana would sit near the door to the basement with fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana's little bed. 'Make her stop' Pearl said, but Tana couldn't."
"She loves the serene brutality of the ocean, loves the electric power she felt with each breath of wet, briny air."
"That was seven years ago. The doctors told her father the memory would fade, like the big messy scar on her arm, but neither ever did."
"I need to stop fantasizing about running away to some other life and start figuring out the one I have."
"What an author doesn't know could fill a book."
"They wore their strange beauty like war paint."
"People are fragile. They die of mistakes, of overdoses, of sickness. But mostly they die of Death."
"One fine day, in the middle of the night, two dead boys got up to fight. Back to back they faced each other. They pulled out their swords and shot one another. One deaf cop, on the beat heard the noise, and came and shot the two dead boys."
"I'm going to take off your gag. And if you try to bite me or grab me or anything, I'll hit you with this thing as hard as I can as many times as I can. Understood?"
"In those stories, one is often asked to do something unimaginably terrible to the creature. Cut off it's head, say. A test. Not a test of love. A test of trust. Trust lifts the spell."
"I think there are a lot of really positive aspects to social media for novelists. Even though our work is pretty solitary, through Twitter and Tumblr and Facebook and Instagram and blogging in general, we're better able to connect directly with readers."
"I really love the idea of the poetically mad - the character that is imbued with the romantic madness. Like River from 'Firefly' or Drusilla from 'Buffy.' Someone dangerously unhinged, where you're really not sure they're going to be reliable minute-to-minute."
"Maybe it was that nearly everyone else was dead and she felt a little bit dead too, but she figured that even a vampire deserved to be saved. Maybe she ought to leave him, but she wasn't going to."