George Eliot, the pen name of Mary Ann Evans, was a British author whose novels explored the complexities of human nature and society with profound insight and empathy. Through works such as "Middlemarch" and "The Mill on the Floss," she challenged Victorian conventions and expanded the scope of the novel as an art form, leaving a lasting legacy in English literature.
"It is surely better to pardon too much, than to condemn too much."
"We cannot help the way in which people speak of us . . ."
"The fact is unalterable, that a fellow-mortal with whose nature you are acquainted solely through the brief entrances and exits of a few imaginative weeks called courtship, may, when seen in the continuity of married companionship, be disclosed as something better or worse than what you have preconceived, but will certainly not appear altogether the same."
"Perhaps the most delightful friendships are those in which there is much agreement, much disputation, and yet more personal liking."
"The world is full of hopeful analogies and handsome, dubious eggs, called possibilities."
"Let a prejudice be bequeathed, carried in the air, adopted by hearsay, caught in through the eye,"however it may come, these minds will give it a habitation; it is something to assert strongly and bravely, something to fill up the void of spontaneous ideas, something to impose on others with the authority of conscious right; it is at once a staff and a baton."
"Mr. Craig was not above talking politics occasionally, though he piqued himself rather on a wise insight than on specific information."
"Certainly the determining acts of her life were not ideally beautiful. They were the mixed result of young and novel impulse struggling amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion."
"If a princess in the days of enchantment had seen a four-footed creature from among those which live in herds come to her once and again with a human gaze which rested upon her with choice and beseeching, what would she think of in her journeying, what would she look for when the herds passed her? Surely for the gaze which had found her, and which she would know again."
"The select natures who pant after the ideal, and find nothing in pantaloons or petticoats great enough to command their reverence and love, are curiously in unison with the narrowest and pettiest."
"But I hasten to finish my story. Brevity is justified at once to those who readily understand, and to those who will never understand."
"Aye, aye, that's the way wi' thee: thee allays makes a peck o' thy own words out o' a pint o' the Bible's."
"A medical man likes to make psychological observations, and sometimes in the pursuit of such studies is too easily tempted into momentous prophecy which life and death easily set at nought."
"Young love-making--that gossamer web! Even the points it clings to--the things whence its subtle interlacing are swung--are scarcely perceptible; momentary touches of finger-tips, meetings of rays from blue and dark orbs, unfinished phrases, lightest changes of cheek and lip, faintest tremors. The web itself is made of spontaneous beliefs and indefinable joys, yearnings of one life to another, visions of completeness, indefinite trust."
"If a man has a capacity for great thoughts, he is likely to overtake them before he is decrepit."
"I have the conviction that excessive literary production is a social offence."
"There is no hour that has not its births of gladness and despair, no morning brightness that does not bring new sickness to desolation as well as new forces to genius and love. There are so many of us, and our lots are so different, what wonder that Nature's mood is often in harsh contrast with the great crisis of our lives?"
"Opposition may become sweet to a man when he has christened it persecution."
"There was no keenness in the eyes; they seemed rather to be shedding love than making observations; they had the liquid look which tells that the mind is full of what it has to give out, rather than impressed by external objects."
"A man vows, and yet will not east away the means of breaking his vow. Is it that he distinctly means to break it? Not at all; but the desires which tend to break it are at work in him dimly, and make their way into his imagination, and relax his muscles in the very moments when he is telling himself over again the reasons for his vow."
"A pretty building I'm making, without either bricks or timber. I'm up i' the garret a'ready, and haven't so much as dug the foundation."
"A really cultured woman, like a really cultured man, is all the simpler and the less obtrusive for her knowledge; it has made her see herself and her opinions in something like just proportions; she does not make it a pedestal from which she flatters herself that she commands a complete view of men and things, but makes it a point of observation from which to form a right estimate of herself. She neither spouts poetry nor quotes Cicero on slight provocation; not because she thinks that a sacrifice must be made to the prejudices of men, but because that mode of exhibiting her memory and Latinity does not present itself to her as edifying or graceful."
"Most of us who turn to any subject with love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love."
"Harold, like the rest of us, had many impressions which saved him the trouble of distinct ideas."