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Anais Nin, a trailblazing American author and diarist, explored themes of love, desire, and identity through her candid and introspective writing. Her groundbreaking diaries, spanning decades of her life, offer a revealing glimpse into her innermost thoughts and emotions, making her a literary icon of personal expression and self-discovery.
"I loved your breaking down that door, repeated Djuna. Through Rango she had breathed some other realm she had never attained before. She had touched through his act some climate of violence she had never known before."
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"I loved your breaking down that door, repeated Djuna. Through Rango she had breathed some other realm she had never attained before. She had touched through his act some climate of violence she had never known before."

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"We see the world not as it is, but as we are."
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"We see the world not as it is, but as we are."

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"We are more severe judges of our own acts... We judge our thoughts, our intents, our secret curses, our secret hates, not only our acts."
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"We are more severe judges of our own acts... We judge our thoughts, our intents, our secret curses, our secret hates, not only our acts."

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"There is a resemblance between men and women, not a contrast. When a man begins to recognize his feeling, the two unite. When men accept the sensitive side of themselves, they come alive."
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"There is a resemblance between men and women, not a contrast. When a man begins to recognize his feeling, the two unite. When men accept the sensitive side of themselves, they come alive."

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"A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion."
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"A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion."

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"Even when they did not look at each other or speak to each other, he could feel a powerful current between them."
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"Even when they did not look at each other or speak to each other, he could feel a powerful current between them."

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"Each contact with a human being is so rare, so precious, one should preserve it."
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"Each contact with a human being is so rare, so precious, one should preserve it."

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"If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it."
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"If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it."

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"I feel a little like the moon who took possession of you for a moment and then returned your soul to you. You should not love me. One ought not to love the moon. If you come too near me, I will hurt you."
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"I feel a little like the moon who took possession of you for a moment and then returned your soul to you. You should not love me. One ought not to love the moon. If you come too near me, I will hurt you."

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"Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving."
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"Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving."

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"I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic - in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself."
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"I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic - in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself."

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"Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!"
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"Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!"

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"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
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"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."

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"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
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"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."

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"The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again."
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"The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again."

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"It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it."
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"It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it."

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"The mold we give to our lives is so that there will be no cataclysms. The order we seek we are willing to surrender to the flow of life at any time, but it is there as a brake on a car, and our health is a brake. We put brakes on, against our temperament. he said, "Even a room, arranged in a certain manner, prevents certain things from taking place in it."
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"The mold we give to our lives is so that there will be no cataclysms. The order we seek we are willing to surrender to the flow of life at any time, but it is there as a brake on a car, and our health is a brake. We put brakes on, against our temperament. he said, "Even a room, arranged in a certain manner, prevents certain things from taking place in it."

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"She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself."
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"She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself."

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"Innocence was gone from all our acts. Our habitual state of rebellion became a serious political crime."
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"Innocence was gone from all our acts. Our habitual state of rebellion became a serious political crime."

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"The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment."
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"The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment."

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"Introspection does not need to be a still life. It can be an active alchemy."
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"Introspection does not need to be a still life. It can be an active alchemy."

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"People living deeply have no fear of death."
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"People living deeply have no fear of death."

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"The relief of opening one's hand and letting go was immense. But soon after, I tightened again. A desire for revenge, a strange revenge."
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"The relief of opening one's hand and letting go was immense. But soon after, I tightened again. A desire for revenge, a strange revenge."

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"Do not seek the because - in love there is no because, no reason, no explanation, no solutions."
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"Do not seek the because - in love there is no because, no reason, no explanation, no solutions."

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