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"I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic - in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself."
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"No free man needs a God; but was I free?How fully I felt nature glued to meAnd how my childish palate loved the tasteHalf-fish, half-honey, of that golden paste!My picture book was at an early ageThe painted parchment papering our cage:Mauve rings around the moon; blood-orange sun;Twinned Iris; and that rare phenomenonThe iridule - when, beautiful and strange,In a bright sky above a mountain rangeOne opal cloudlet in an oval formReflects the rainbow of a thunderstormWhich in a distant valley has been staged -For we are most artistically caged."

"I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world."

"When no possessions keep us, when no countries contain us, and no time detains us, man becomes a heroic wanderer, and woman, a wanderess."

"If the holy spirit is in you, you are free, even if you are in a physical jail."

"It is at the precise moment that I take something for granted that I have placed myself in the precarious position of losing that very thing. And if that thing I risk losing is liberty, taking it for granted is foolishness of the most foolish sort."
Explore more quotes by Anais Nin

"You sought to preserve your creative instincts and what would nourish them. But neurosis itself does not nourish the artist, you know; he creates in spite of it, out of anything, any material given to him. The torments and hells of [crazy men], are not for you."

"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."

"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."

"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."

"When she closed her eyes she felt he had many hands, which touched her everywhere, and many mouths, which passed so swiftly over her, and with a wolflike sharpness, his teeth sank into her fleshiest parts. Naked now, he lay his full length over her. She enjoyed his weight on her, enjoyed being crushed under his body. She wanted him soldered to her, from mouth to feet. Shivers passed through her body."

"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."

"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
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