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"I feel a little like the moon who took possession of you for a moment and then returned your soul to you. You should not love me. One ought not to love the moon. If you come too near me, I will hurt you."
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"How'd you know he was the one?""I didn't know. I don't think either of us knew."Heather rolled her eyes. "Neal knew - he proposed to you.""It's not like that," Georgie said. "You'll see. It's more like you meet someone, and you fall in love, and you hope that that person is the one - and then at some point, you have to put down your chips. You just have to make a commitment and hope that you're right."
"When love is roaming in our mind, looping in the deepest fringes of our heart, undreamt spaciousness emerges, repealing the constraints of triviality and letting stifling narrowness fade away. While our mindset is besieged by a revolving burst of emotion, our world is ultimately opening up. ['Cape of good hope']"
"Love is a decision, it is a judgment, it is a promise. If love were only a feeling, there would be no basis for the promise to love each other forever. A feeling comes and it may go. How can I judge that it will stay forever, when my act does not involve judgment and decision."
"So you will meet many 'someones' who will give a new definition to your name. And you can not build walls, must not close the door and please don't hide,because if you ask me about hurt and loveI will say love. Love because the hurt will come and go no matter what, but only love makes it worth while. Only love can cure it. Don't be scared. Go. Love."
"Unconditional love goes beyond holding on and letting go. Real love is about truth. It's about looking at what's really going on instead of the stories we tell ourselves about it. It's about being able to love someone from afar, when we need to, because we see that closeness turns us into the worst versions of ourselves."
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
Explore more quotes by Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
"She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself."
"Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving."
"Even when they did not look at each other or speak to each other, he could feel a powerful current between them."
"The relief of opening one's hand and letting go was immense. But soon after, I tightened again. A desire for revenge, a strange revenge."
"Do not seek the because - in love there is no because, no reason, no explanation, no solutions."
"Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!"
"Do you have regrets that we were so overwhelmed? Do you ever wish to live those hours over again and differently, with more confidence."
"The man who was once starved may revenge himself upon the world not by stealing just once, or by stealing only what he needs, but by taking from the world an endless toll in payment of something irreplaceable, which is the lost faith."
"They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy."
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