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"A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion."
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"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"
"For me poetry is an evasion of the real job of writing prose."
"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness."
"At eight, he had once told his mother that he wanted to paint air."
"My brain has become my enemy. We fight over creation and his need for sleep."
"Creativity is the residue of time wasted."
"I do not attachany exaggerated importance to my poetical works. Life isthere to be lived rather than to be written about. My aimis to search out the manifold experience that it offers,wringing from each moment what of emotion it presents.I look upon my writing as a graceful accomplishmentwhich does not absorb but rather adds pleasure toexistence. And as for posterity-damn posterity."
"I have spent a good many years since-too many, I think-being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all."
"He kept seeing the brains dribbling down the wallpaper. It wasn't the killing that stayed on his mind, it was the spilled talent. A lifetime of honing and shaping torn apart in less than a second. All those stories, all those images, and what came out looked like so much oatmeal. What was the point?"
"When you aren't satisfied with what has already been done, make something better. That is the greatest responsibility and the true freedom of creativity. The freedom is in that it doesn't need to complain."
Explore more quotes by Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
"Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving."
"Even when they did not look at each other or speak to each other, he could feel a powerful current between them."
"The relief of opening one's hand and letting go was immense. But soon after, I tightened again. A desire for revenge, a strange revenge."
"Do not seek the because - in love there is no because, no reason, no explanation, no solutions."
"Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!"
"Do you have regrets that we were so overwhelmed? Do you ever wish to live those hours over again and differently, with more confidence."
"The man who was once starved may revenge himself upon the world not by stealing just once, or by stealing only what he needs, but by taking from the world an endless toll in payment of something irreplaceable, which is the lost faith."
"They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy."
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