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"All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead."
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"Obsolescence never meant the end of anything, it's just the beginning."
"The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers."
"The secret of a good sermon is to have a good beginning and a good ending, then having the two as close together as possible."
"To see and listen to the wicked is already the beginning of wickedness."
"All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead."
"In every phenomenon the beginning remains always the most notable moment."
"There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them."
Explore more quotes by Samuel Beckett
"Ada: And why life? (Pause.) Why life, Henry? (Pause.) Is there anyone about?Henry: Not a living soul.Ada: I thought as much. (Pause.) When we longed to have it to ourselves there was always someone. Now that it does not matter the place is deserted."
"In order to be company he must display a certain mental activity. But it need not be of a high order. Indeed it might be argued the lower the better. Up to a point. The lower the order of mental activity the better the company. Up to a point."
"Incontinent the void. The zenith. Evening again. When not night it will be evening. Death again of deathless day. On one hand embers. On the other ashes. Day without end won and lost. Unseen."
"I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in."
"You are on your back at the foot of an aspen. In its trembling shade. She at right angles propped on her elbows head between her hands. Your eyes opened and closed have looked in hers looking in yours. In your dark you look in them again. Still. You feel on your face the fringe of her long black hair stirring in the still air. Within the tent of hair your faces are hidden from view. She murmurs, Listen to the leaves. Eyes in each other's eyes you listen to the leaves. In their trembling shade."
"I happened to look up and there it was. All over and done with, at last. I sat on for a few moments with the ball in my hand and the dog yelping and pawing at me. (Pause.) Moments. Her moments, my moments (Pause.) The dog's moments."
"But even them, my pains, I understand ill. That must come from my not being all pain and nothing else. There's the rub. Then they recede, or I, till they fill me with amaze and wonder, seen from a better planet. Not often, but I ask no more. Catch-cony life! To be nothing but pain, how that would simplify matters! Omnidolent! Impious dream."
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