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Ken Burns

"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."

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"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."

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Akshay Vasu

"I can't read a note of music. I just do it all from ear."

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Akshay Vasu

"Music is the highest form of philosophy of the conscious mind."

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Akshay Vasu

"Music fills the infinite to give us infinite joy."

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Akshay Vasu

"Although technical discussions are interesting to composers, I suspect that the truly magical and spiritual powers of music arise from deeper levels of our psyche."

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Akshay Vasu

"I am certain that most composers today would consider today's music to be rich, not to say confusing, in its enormous diversity of styles, technical procedures, and systems of esthetics."

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Akshay Vasu

"Music fills the soul with divine beauty of pure love and life."

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Akshay Vasu

"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."

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Akshay Vasu

"The conception of background music is changing. You use less and less of it these days."

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Akshay Vasu

"The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician."

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Akshay Vasu

"I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully."

Explore more quotes by Ken Burns

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Ken Burns
"I don't use composers. I research music the way I research the photographs or the facts in my scripts."
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Ken Burns
"Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being."
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Ken Burns
"I read cover to cover every jazz publication that I could and in the New York Times, every single day reading their jazz reviews even though I didn't put them in the films. I wanted to know what is going on."
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Ken Burns
"I think we too often make choices based on the safety of cynicism, and what we're lead to is a life not fully lived. Cynicism is fear, and it's worse than fear - it's active disengagement."
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Ken Burns
"I am passionately interested in understanding how my country works. And if you want to know about this thing called the United States of America you have to know about the Civil War."
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Ken Burns
"The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice."
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Ken Burns
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
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Ken Burns
"In a sense I've made the same film over and over again. In all of them I've asked, 'Who are we as Americans?"
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Ken Burns
"I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance."
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Ken Burns
"Jazz is a very accurate, curiously accurate accompaniment to 20th century America."
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