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"There were about seventy-nine squillion people in the world, and if you were very lucky, you would end up being loved by fifteen or twenty of them."
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"Sweet pea, you are my favorite hello and my hardest goodbye, and I don't want to go a day without you. Consider that your official invitation."
"When we experience inner impoverishment, love for another too easily becomes hunger: for reassurance, for acclaim, for affirmation of our worth."
"Funny thing about the monster. The worse he treats you, the more you love him."
"Attachment-abhorrence is the foundation for the worldly life and the foundation for 'Knowledge' is a state free of all attachments (vitragta)."
"When attachment increases too much, dislike will arise."
"Life cannot be without relationship, but we have made it so agonizing and hideous by basing it on personal and possessive love. Can one love and yet not possess? You will find the true answer not in escape, ideals, beliefs but through the understanding of the causes of dependence and possessiveness."
"Keep on doing whatever it is that you have been doing; but, do no attachment-abhorrence. If 'You' stay in 'Your [Pure Soul] state'; attachment-abhorrence will not occur."
"Wherever there is ownership, there is upadhi (externally induced problems)."
"Once an opinion is formed, there will be attachment-abhorrence. A person without opinion is also without attachment-abhorrence."
"And I have to say, books haven't helped much with all this. Because whenever you read anything about love, whenever anyone tries to define it, there's always a state or an abstract noun, and I try to think of it like that. But actually, love is, Well, it's just you. And when you go, it's gone. Nothing abstract about it."
Explore more quotes by Nick Hornby
"I don't want my books to exclude anyone, but if they have to, then I would rather they excluded the people who feel they are too smart for them!"
"I'm not the smartest guy in the world, but I'm certainly not the dumbest. I mean, I've read books like "The Unbearable Lightness of Being" and "Love in the Time of Cholera", and I think I've understood them. They're about girls, right? Just kidding. But I have to say my all-time favorite book is Johnny Cash's autobiography "Cash" by Johnny Cash."
"We have all lived through that shriveling moment when a parent walks into a room and repeats, with sardonic disbelief, a couplet picked up from the stereo or the TV. 'What does that mean, then?' my mother asked me during Top of the Pops. "Get it on / Bang a gong"? How long did it take him to think of that, do you reckon?' And the correct answer - 'Two seconds, and it doesn't matter' - is always beyond you, so you just tell her to shut up, while inside you're hating Marc Bolan for making you like him even though he sings about getting it on and banging gongs."
"And mostly all I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do."
"One day, maybe not in the next few weeks, but certainly in the conceivable future, someone will be able to refer to me without using the word 'arse' somewhere in the sentence."
"A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down."
"Jess thought for a moment. 'You know those films where people fight up the top of the Empire State Building or up a mountain or whatever? And there's always that bit when the baddie slips off and the hero tries to save him, but, like, the sleeve of this jacket tears off and goes over and you hear him all the way down. Aaaaaaaaagh. That's what I want to do.' 'You want to watch me plunge to my doom.' 'I'd like to know that I've made the effort. I want to show people the torn sleeve."
"We get together with people because they're the same or because they're different, and in the end we split with them for exactly the same reasons."
"That's the trouble with good writers. Only the bad ones make you want to do the human thing and look away."
"So this is supposed to be about the how, and when, and why, and what of reading -- about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time."
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