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Phillip Noyce

"People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct."

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"People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct."

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Amber Hurdle

"What thumbsuckers we all are...when it comes to mothers."

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Amber Hurdle

"Of course there are mothers,squeezing their breastsdry, pawning their bodies,shedding teeth for their children,or that's our fond belief.But remember - Hanseland Gretel were dumped in the forestbecause their parents were starving."

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Amber Hurdle

"When his life was ruined, his family killed, his farm destroyed, Job knelt down on the ground and yelled up to the heavens, "Why god? Why me?" and the thundering voice of God answered, "There's just something about you that pisses me off.""

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Amber Hurdle

"Happy or unhappy, families are all mysterious. We have only to imagine how differently we would be described - and will be, after our deaths - by each of the family members who believe they know us."

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Amber Hurdle

"It is a wise child that knows its own father and an unusual one that unreservedly approves of him."

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Amber Hurdle

"To each other, we were as normal and nice as the smell of bread. We were just a family. In a family even exaggerations make perfect sense."

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Amber Hurdle

"As a mother, you need to remember that a loving and compassionate God is one hundred percent aware of your child's situation."

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Amber Hurdle

"He promised us that everything would be okay. I was a child, but I knew that everything would not be okay. That did not make my father a liar. It made him my father."

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Amber Hurdle

"My father's attitude was that this was but an inevitable phase of my growing up and he affected to take it lightly. But beneath his jocular, boys-together air, he was at a loss, he was frightened. Perhaps he had supposed that my growing up would bring us closer together- whereas, now that he was trying to find out something about me, I was in full flight from him. I did not want him to know me. I did not want anyone to know me. And then, again, I was undergoing with my father what the very young inevitably undergo with their elders: I was beginning to judge him. And the very harshness of this judgment, which broke my heart, revealed, though I could not have said it then, how much I had loved him, how that love, along with my innocence, was dying."

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Amber Hurdle

"But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down."

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Phillip Noyce
"Well, I don't know what they'll turn out to be, but I'm working on a film of Kon Tiki."
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Phillip Noyce
"People just don't laugh when their family is violated, and you don't shrug it off. You band together and you defend together. It's a funny, primitive instinct."
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Phillip Noyce
"Most Australians live in the cities on the east coast, where contact between black and white occurred as much as 200 years earlier than on the west coast - and where 95 percent of Australians are able to live 95 percent of their lives without ever seeing an Aboriginal face."
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Phillip Noyce
"Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat."
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Phillip Noyce
"I remembered the 500 people that lived on a reserve outside my little town, behind a big fence."
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Phillip Noyce
"So when I read this story, it unlocked a volcano of unanswered questions, because the questions had never been asked. It was an opportunity to come to terms with the lot of repressed history - and history of repression."
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Phillip Noyce
"A collection of huts surrounded by a barbed wire fence, and in the huts lived 500 of the original inhabitants of our area. And so it went with many country towns around Australia."
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Phillip Noyce
"After working for years in Hollywood where the actors have taken over, it was a real relief to get down there and not only have some children, but also have some actors that had no attitude."
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Phillip Noyce
"The more she rejected us the more convinced I was that she was another version of the real Molly, her disdain for authority, her scepticism that she had to do what the white man told her because it was good for her... She is Molly."
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Phillip Noyce
"The children, each of those kids is in touch with nature and traditional aboriginal culture so a very important part of getting performances from them was just letting them be and trying to capture the unique spirituality that was in each of them."
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