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"Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time."
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"If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance."

"If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant."

"I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivered a piece of work that people responded to with huge enthusiasm."

"I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge."

"In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision."

"I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do."

"A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature."
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"I'm hoping someday that some kid, black or white, will hit more home runs than myself. Whoever it is, I'd be pulling for him."

"Sometimes when I get home at night in Washington I feel as though I had been in a great traffic jam."

"We have invented a new human right here - the right to return home after a war."
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