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"Fear is intense self-awareness."
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"The love of a half dead heart will keep you half alive."

"Like many people, I feel like celebrating. Remember this feeling. It is human, and can help us understand when others express bloodlust."

"And then something invisible snapped insider her, and that which had come together commenced to fall apart."

"Let you alone! That's all very well, but how can I leave myself alone ? We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?"
Explore more quotes by Don DeLillo

"A writer takes earnest measures to secure his solitude and then finds endless ways to squander it."

"People get bitten. But I won't.' I found myself saying, 'You will, you will. These snakes don't know you find death inconceivable. They don't know you're young and strong and you think death applies to everyone but you. They will bite you and you will die."

"When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear."

"How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?"

"Think of the great poetry, the music and dance and ritual that spring forth from our aspiring to a life beyond death. Maybe these things are justification enough for our hopes and dreams, although I wouldn't say that to a dying man."

"It was uncanny. You press a button and a man drops dead a hundred meters away. It seemed hollow and remote, falsifying everything. It was a trick of the lenses. The man is an accurate picture. Then he is upside down. Then he is right side up. You shoot at a series of images conveyed to you through a metal tube. The force of a death should be enormous but how can you know what kind of man you've killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it's ordinary murder."

"How I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature."
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