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Albert Finney

"We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech."

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"We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech."

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Amber Hurdle

"I never gossip - but after all, a tongue is given one to speak with, and I'm not deaf mute.That you most certainly are not. A tongue, Henet, may sometimes be a weapon. A tongue may cause a death - may cause more than one death. I hope your tongue, Henet, has not caused a death."

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Amber Hurdle

"A bad word triggers another in your opponent. Be ready to reap what you plant."

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Amber Hurdle

"Speak clearly, if you speak at all; carve every word before you let it fall."

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Amber Hurdle

"You can not control the thought, but you can control the tongue."

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Amber Hurdle

"An evening like this would be empty without some reference to [politics] so let's just think of this as empty."

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Amber Hurdle

"People think that whatever comes out of the mouth of a wise man is the choicest gem, sometime it's utter stupidity and rubbish."

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Amber Hurdle

"You can edit what you write. Why not edit what you say? If it hurts somebody, you can still offer an apology or withdraw your statements."

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Amber Hurdle

"The words walked right out of my mouth."

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Amber Hurdle

"Your mouth is not given to you for feeding alone it is given to you to programme events and circumstance around you."

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Amber Hurdle

"Every couple of seconds out here they're honoring somebody. You've got to get dressed, go in and sit down. Invariably somebody makes a speech."

Explore more quotes by Albert Finney

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Albert Finney
"There might've been wires, but I have this ability to make myself light. Well you know what, in ballet, when you kind of lift yourself here, it's all up in the head."
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Albert Finney
"I like playing accents, and doing things like that, it was fun. It was fun."
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Albert Finney
"He tells you stories, but then, after a while, when you want more, he doesn't give you more. He insists on this old elaboration, the old stories that never changes."
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Albert Finney
"I think that one of Tim's great qualities and abilities is in what seems like a thumbnail sketch to get something quite telling, very simply, when you're doing it or being in that thumbnail sketch, you don't feel that it's important."
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Albert Finney
"My dad was great. He was very droll, very dry."
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Albert Finney
"All we did in Alabama was have a read through with the script, but there was, 'No, well, it needs more. You've got to do this, Albert. You've got to do that, Jessica.' It didn't feel like that at all."
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Albert Finney
"Within two weeks of working with her, I realized how good she was for the role because she was absolutely with it and she has got terrific instincts, I think, as an artist, too."
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Albert Finney
"We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life."
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Albert Finney
"That is one of the reasons one enjoys acting. Now and again, you get scenes where you work with somebody really good and you have a good time trying to make it really work and really work well."
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Albert Finney
"To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life."
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