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"And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from."
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Exlpore more Criticism quotes
"They were the sort who berated a man for meddling and chased him away, then berated him again for not being there when he was needed. Not that they would admit he was needed, even then, not them. Raise a hand to help and you were interfering, do nothing and you were an un-trustworthy wastrel."
"Ol, ol you have learnt something new, didn't you??So you are saying it again and again with smile like we are an idiots, but my question is did you understand it? Do you know what did you said, so you big peace of shit say something more to impress us, because this doesn't impress us."
"Criticism always produces negative reactions, but appreciation always creates positive actions."
"Even the slightest criticism of others is an impediment (hindrance) to Absolute Knowledge (Kevalgnan, Absolute Enlightenment). It also hinders Atmagnan (Knowledge of the Self), also hinders Samkit (Self-realization)."
"When I see the promotion of nighttime street lighting to the masses, I realize the great level of incompetence that is present in governments, human health and the biological effects of light."
"So, two cheers for Democracy: one because it admits variety and two because it permits criticism."
Explore more quotes by David Foster Wallace
"Something they seem to omit to mention in Boston AA when you're new and out of your skull with desperation and ready to eliminate your map and they tell you how it'll all get better and better as you abstain and recover: they somehow omit to mention that the way it gets better and you get better is through pain. Not around pain, or in spite of it."
"You see parents as kind or unkind or happy or miserable or drunk or sober or great or near-great or failed the way you see a table square or a Montclair lip-read. Kids today... you kids today somehow don't know how to feel, much less love, to say nothing of respect. We're just bodies to you. We're just bodies and shoulders and scarred knees and big bellies and empty wallets and flasks to you. I'm not saying something cliché like you take us for granted so much as I'm saying you cannot... imagine our absence. We're so present it's ceased to mean. We're environmental. Furniture of the world."
"In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls."
"You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal."
"This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants."
"What teachers and the administration in that era never seemed to see was that the mental work of what they called daydreaming often required more effort and concentration than it would have taken simply to listen in class. Laziness is not the issue. It is just not the work dictated by the administration."
"Its emotional character is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency -sitting or standing, doing or resting, speaking or keeping silent, living or dying- are not just unpleasant but literally horrible."
"Worship your body, beauty, and sexual allure and you will die a million deaths before they finally grieve you."
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