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Mark Rydell

"Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege."

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"Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege."

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Akiroq Brost

"I've done movies with a sword before. But I haven't really been given the full responsibility of something like a Ridley Scott film."

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Akiroq Brost

"I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it?"

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Akiroq Brost

"The reason I chose the movies that I did was based on where they were being filmed."

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Akiroq Brost

"I don't know if I see myself as really an action hero, but I like doing physical movies and I like doing movies where the writing is very lean."

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Akiroq Brost

"I think acting is only one part of the piece of the movie. I'ts an important piece, but I'd like to be involved in all the other aspects of making movies."

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Akiroq Brost

"I've made so many movies playing a hooker that they don't pay me in the regular way anymore. They leave it on the dresser."

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Akiroq Brost

"I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that."

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Akiroq Brost

"I think you kind of hope for people to gush over movies, but I think the opposite way is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash."

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Akiroq Brost

"I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing, in a very special location."

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Akiroq Brost

"Everybody wants blockbusters. I like to see a few pictures now and then that have to do with people and have relationships, and that's what I want to do films about. I don't want to see these sci-fi movies, and I don't want to do one of those. I don't understand it."

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Mark Rydell
"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."
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Mark Rydell
"Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege."
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Mark Rydell
"There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized."
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Mark Rydell
"He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him."
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Mark Rydell
"No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled."
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Mark Rydell
"It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses."
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Mark Rydell
"He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture."
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Mark Rydell
"I long for the days when grosses were not even known. There was no weekend competition."
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Mark Rydell
"There's evidence of a social decline in direct proportion to technology and the industrialization of the motion picture industry."
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Mark Rydell
"It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance."
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