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"She always imagined their voices entangled somewhere in the wires when they spoke, caught up in a grid she didn't fully understand, passing back and forth. Once the calls were disconnected, she imagined the echoes of old conversations would be trapped there, floating back and forth with no exit, like ghosts."
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"Powerful words that penetrate the psyche are not forgotten while silence is."

"I love talking the way Trappists love silence."

"Many a man's tongue shakes out his master's undoing."

"Every woman's heart cannot be opened with words, sometimes you need to use your hands."

"Remember this, posting pictures are like speaking words, you cannot take them back."

"Everybody talks, but there is no conversation."

"Coat your words with honey if you want to catch bees."

"Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding."
Explore more quotes by Lauren Oliver

"Could it be? Samantha Kingston? Home? On a Friday? I roll my eyes. "I don't know. Did you do a lot of acid in the sixties? Could be a flashback. "I was two years old in 1960. I came too late for the party. He leans down and pecks me on the head. I pull away out of habit. "And I'm not even going to ask how you know about acid flashbacks. "What's an acid flashback? Izzy crows. "Nothing, my dad and I say at the same time, and he smiles at me."

"How is it possible, I think, to change so much and not be able to change anything at all?"

"We are such small, stupid things. For most of my life I thought of nature as the stupid thing: Blind, animal, destructive. We, the humans, were clean and smart and in control: we had wrestled the rest of the world into submission, battered it down, pinned it to a glass slide and the pages of The Bool of Shhh."

"It was all very strange, Mr. Gray thought, as he wiped the coffee canister clean with a sponge. Very, very mysterious. You were born; you lived a whole life; and at the end, you wound up in a coffee canister."Ah, well," he said out loud quietly. "That's just the way things are. Life's a funny business." Death, he supposed, was the punch line."

"Every day, streets papered with more and more for .Reward, reward, reward.Reward for information.If you see something, say something.A paper town, a paper world: paper rustling in the airm whispering to me, hissing out a message of posion and jealousy.If you know something, do something.I'm sorry, Lena."

"My aunt just stood there, and in that second it was as though the world and the future collapsed down into a single point, and I understood that this-the kitchen, the spotless cream linoleum floors, the glaring lights, and the vivid green mass of Jell-O on the counter-was all that was left now that my mother was gone.Suddenly I couldn't stay there. I couldn't stand the sight of my aunt's kitchen, which I now understood would be my kitchen. I couldn't stand the Jell-O. My mother hated Jell-O. An itchy feeling began to work its way through my body, as though a thousand mosquitoes were circulating through my blood, biting me from the inside, making me want to scream, jump, squirm.I ran."

"Because I am terrified by what I want: for him, and worst of all, from him. Because I do want. I'm not even sure what, exactly, but the want is there, just like the hate and anger were there before. But this is not a tower. It is an endless, tunneling pit; it drives deep, and opens a hole inside me."

"That was the problem with the outside world, the human world. The whole thing was made up puzzles, of a language she didn't quite speak."
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