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"It is the element I miss in electronic music - no performance, no loving immersion. Maybe that is why I was never particularly drawn to electronic music."
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"There are so few directors who are musical who appreciate music."
"I can see me continuing to make the best music I can, and let the chips fall where they may."
"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."
"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."
"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."
"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."
"A song has to become as much a part of you as a tailored suit."
"There's nothing to compare to live music, there just isn't anything."
"That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out."
Explore more quotes by Lukas Foss
"If one uses music that one does not really love, then one will not succeed in making it one's own."
"Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been."
"Mozart wrote so many works in his thirty-five years that it would take a lifetime just to write out the notes. We literally do not know how he did it."
"Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved."
"Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time."
"I don't dare postulate about science, but I know that it takes both emotion and intellect in order for art to happen."
"I strongly suggest that we play down basics like who influenced whom, and instead study the way the influence is transformed, in other words: how the artist made it his own."
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