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"A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience."
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"A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done."
"Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing."
"Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do- to face the fact, let us say, that murderers sometimes help old ladies cross the street."
"T[he rules of writing] require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others."
"I believe the first draft of a book - even a long one - should take no more than three months. Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity."
"I'm likely to stay here, pen in hand, until dusk comes and my writing melts into the twilight."
Explore more quotes by W. Somerset Maugham
"A bird in the hand was worth two in the bush, he told her, to which she retorted that a proverb was the last refuge of the mentally destitute."
"What do we any of us have but our illusions? And what do we ask of others but that we be allowed to keep them?"
"Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad."
"Few misfortunes can befall a boy which bring worse consequence than to have a really affectionate mother."
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