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"We're kidding on that. One of the things I insisted upon when we went into this project was that we are full partners, going fifty-fifty, both on the money and on the say of what's going on with the books."
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"Egoism and Money [Goddess of wealth; Lakshmi] are very much at odds [have great enmity]. There should be just enough egoism to accomplish one's work. Beyond that, any expanded egoism and money have great enmity. Money (Lakshmi) stays away from it."

"There's a correlation between the number of digits on a man's bank balance, and, the number of things that his woman is willing to forgive him for."

"Where large sums of money are concerned, it is advisable to trust nobody."

"The Bible does not say money is the root of all evil; it says the love of money is the root of all kinds of evil. A poor man who, in his heart, worships the idea of being rich is more vulnerable to its evils than a rich man who has a heart to use it all for the Lord."

"To be clever enough to get all that money, one must be stupid enough to want it."

"Architect. One who drafts a plan of your house, and plans a draft of your money."

"Politics has become so expensive that it takes a lot of money even to be defeated."

"You cannot spend money in luxury without doing good to the poor. Nay, you do more good to them by spending it in luxury, than by giving it; for by spending it in luxury, you make them exert industry, whereas by giving it, you keep them idle."
Explore more quotes by Robert Asprin


"New Orleans life is such a night life. The thing that comes up very often is that our day essentially doesn't start until midnight or 2 in the morning."


"It's interesting that instead of having to get tighter and more restricted for a collaboration, strangely enough, from the beginning, we've actually been more confident that we could handle this."


"The basic story for the opener is that word came through the bar that someone got knifed and killed up on the Moon Walk. It turns out to be one of the quarter regulars that everybody knows, including Maestro and Bone."


"Between you and me, I think that may be one of the things that will help with the collaboration, because there are things Eric thinks I'm moving too quickly on, and there are things I think he's dragging out. When it gets to the editor they can arbitrate."


"We're kidding on that. One of the things I insisted upon when we went into this project was that we are full partners, going fifty-fifty, both on the money and on the say of what's going on with the books."
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